This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
This is a snippet of acoustic guitar recorded a year or so ago which was already loaded with effects. I ran that through paulstretch and came up with this. It created almost orchestral or choral sounds in places.
Solo acoustic guitar recorded January 2nd 2009. Hope to do a longer more developed version at some point ,but for now just a short version to learn more about using new DAW software.
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
This is the audio version of my blacksmithing lesson from http://ironangelforge.blogspot.com/
This lesson is Blacksmithing Basics - Absolute Basics. It covers terms and the most basic tools in a quick overview, so that students of the craft…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
A Prog Rock instrumental with guitar and keyboard melodies and solos. Three parts to this song. Depicting peace and joy on The Path of Light. A cross between Yes and jam band music. Randal Pflum, all instruments except drums.
Comments on kirklynch's stuff
Not bad for a snippet there Kirk. That was lovely! Cheers Bee
Love that bass thingy.
I've been missing stuff. :)
That's unreal. Sounds like a synth.
So many talented WHITE AMERICAN GENTILE MEN in America and fewer of us signed every year. Why is that?
Reminiscent of Becker - Steely Dan.
You've got a good bass player. You're a good guitarist too.
Good guitar player. Are you not interested in more distortion and a more metal sound?
It's too bad you're not closer to me.
Beautifully played and recorded.
rich sounds for sure!!
This is awesome!!
Fabulous morning spent with your music washing over me. Wonderful sounds.
Oh man, that was fabulous!
All the sounds you make...are loved by me! This is like searching the sea for answers. Utterly absorbing and colour rich.
A heady blend, Sir FS.
Both of those hit the spot!..
This is a great groove.
Love the fluid-like tones...sounds like the sun on the lake to me...wonderful...
Great sonic-scape, Kirk!
Comments made by kirklynch
Wow! Nice playing man. Love this one
Lovely this time around as well!
I'm a sucker for heavy guitars with a ton of effects. Love it!
You amaze me once again with your creativity !!
Lovely track there!!
That's just beautiful man. Tugs at the heartstrings
Nice ditty and a kind of change of pace for you. Like it!
Very cool. Mix sounds great in headphones
Yeah- great atmosphere! Wish it were longer
Dig it- Rocks hard. Love the guitar sounds
I like it. nice dark feel to it
OOoooh- Doug this is just gorgeous. you gotta do more acoustic stuff man!
very cool- inspirational
Interesting stuff man. I actually use a piece of railroad iron myself to forge the keys for the instruments that I build
Beautiful one Doug!
Incredible! Love it
Very cool- Dig it!
Really nice- great sounding production!
Really pretty- would love to hear a longer version
Nice-I like it. Oddly fits my mood this morning