Sometimes magic happens. Sometimes it even happens to me.
Open D tuning (low to high D A D G A D). Just a practice session where I had the guts to press record.
No drugs. Just beer with dinner. Maybe they put something in the creme brule…
so Airport Columns.. and Opened... I think these might be my two favorite MMI tunes at the moment. This one is magical. I imagine a caravan of nomads wandering through the Serengeti desert in search of a waterhole, but the electronic ambiances suggest that it's some kind of computer-generated dream... like I'm really laying in an isolation tank in someone's laboratory.
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
okay. so i listened to this one again. I was in the wrong state of mind the first time around. the voices are telling me to ask you if this can be imported into Live 7?
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
This site is getting way too creepy. This could accompany a brooding cityscape, slowly zooming in on a horrific scene of "SOMETHING". Absolutely brilliant.
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
oh wow, the ebow sounds great, especially around 02:30! *jealous. hmmm.. my analog ebow cannot achieve such silky smoothness without getting doused in verb
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
The title comes from the realization that we are applying a ridiculous amount of machinery to make or alter noises that came from a simple source like a vibrating string.
This is first experiment using some of the sampling magic learned from…
The title comes from the realization that we are applying a ridiculous amount of machinery to make or alter noises that came from a simple source like a vibrating string.
This is first experiment using some of the sampling magic learned from…
This has been something that has been struggling to get out for a while. I finally feel comfortable enough playing it to have pressed record...
Boring technical details:
DADGAD tuning
two improvised tracks, GT-10 Studio Acoustic Guitar preset…
A track that I put on hold for the RPM Challenge.
Of course, now I can't really remember where I was going with it... but to have used it in the challenge would have been cheating.
What I do remember was that I had just discovered and fallen…
A track that I put on hold for the RPM Challenge.
Of course, now I can't really remember where I was going with it... but to have used it in the challenge would have been cheating.
What I do remember was that I had just discovered and fallen…
I got stuck on a silly little musical phrase, noodling around with it on the piano, unable to let go of it and unable to really develop it into something more.
I recorded myself playing a number of variations as I searched in vain for a deeper…
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu.
Okay so tukuramu does not mean earth-quake but…
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
An experiment I recorded yesterday with a rig I put together for more or less ambient sounds using two loopers and nearly every effects unit I own. I have no idea who Clark was but he owned the '58 Harmony Stratotone that I used on this cut. His…
This one is live from the cellar last night...Unplugged recorded with one mic..so close your eyes and imagine me here alone on a wet Monday night in Sheffield in the cellar alone as Elvis and Jim had heard about an Happy hour round the corner…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Comments on mmi's stuff
so Airport Columns.. and Opened... I think these might be my two favorite MMI tunes at the moment. This one is magical. I imagine a caravan of nomads wandering through the Serengeti desert in search of a waterhole, but the electronic ambiances suggest that it's some kind of computer-generated dream... like I'm really laying in an isolation tank in someone's laboratory.
This has a really nice innocent quality about it. Great stuff!
yeah, this is a very affective piece. One of my MMI favorites...
OK...I am really losing it...this actually just made me blub.
I DO like it, but then I go for these kinds of guitar oddities. "Talent enhancer"? I want one of those.
okay. so i listened to this one again. I was in the wrong state of mind the first time around. the voices are telling me to ask you if this can be imported into Live 7?
This one grew on me as it went along. The 'verbed guitars are very nice. I expect to hear more of them in due course ;-)
Haunted library! Something's going to happen...and it's not just a twist in the tale...
Some of the single line guitar stuff has an almost horn like quality- very cool
This sounds out of this world...literally. Very enjoyable.
OK- I'm going back to playing electric again!. Great stuff
This site is getting way too creepy. This could accompany a brooding cityscape, slowly zooming in on a horrific scene of "SOMETHING". Absolutely brilliant.
oh wow, the ebow sounds great, especially around 02:30! *jealous. hmmm.. my analog ebow cannot achieve such silky smoothness without getting doused in verb
when A.I. takes over the world!
Wow. Beautiful, grimy, like someone giving a last salute to a barge full of gravel going over a waterfall.
Fascinating stuff. Works well!
This works really nicely. Some great industrial sounds here. Nice.
whos playin wiv u? v goood... D is for Diane Goddess of life in Rome Italy...
Lovely. Almost new age meets lounge! Only cool!!
Nice gentle groove!! Yeah- Maj 7 chords are the deal!
Comments made by mmi
Nice. I listed a pile of times. Apparently I fall into the quite pleasing camp :)
Super cool. I love the dark tension.
There's gold in them thar waves.
Very cool. Took me back to my days of listening to Michael Brook.
Very cool and fruitful sonic mining. Inspiring.
Nice! Had to do some googling while listening to learn about quartal harmony.
you should sell tickets to your soundchecks; I'd pay
Very cool. Be interested in hearing how you connected all the bits.
Really nice. Wow.
Great collab!
Good groove. Definitely worth exploring more.
What MtC said. Longer.
Out of the park! Great fun!
Sweet cinematic goodness. Autumn leaves flying as I drive my car a twisty New England road.
simple and very cool
And groove it more certainly does!
Dude! Dude! More!
So very beautiful... can never have too much.
More!
lovely jam