Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
This is a track I started on the ferry over to Wales for a little holiday a couple of weeks back.
* Drums are from Ableton Suite's Session Drums
* Bassline is an patch I created in Live's Analog synth
* Guitar is me playing through Guitar…
Traditional Irish - Arranged by Doug Sparling
Based on a recording by Na Casaidigh.
Played late at night, as a lullaby of sorts. Now go to sleep, little child...
Guitar players - check out my GuitarNoise.com lesson for this tune: http://www…
A song written for my dear old friend, Kirk Lynch, who I've known for almost 20 years. For those who don't know, Kirk and I live less than an hour apart, but I swear it's been five years since we've seen each other in person, which just ain't…
Guitar loop from 2008. First loop where I bounced between different tracks instead of building part upon part. Flawed, but for better or worse, I rarely record something twice (why I left in the pop in the initial bed loop, I have no idea - well…
We celebrate the passing of a great musical instrument. Hobart M. Cable, the piano lent to us this summer, is going back to his kind owner, Danny. He will be dearly missed.
We hastily wrote this little ditty in his last few hours in our possession…
Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
Just working out some rhythms. Toucans come in at about 1 minute.. wish I could get the sound onto vinyl for some proper scratching. I used Sandbags' awesome generative sequencer Elysium for some of the ambient and lower pitched toucans. The lead…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
Plucking of the "wrong side of the strings" on my jazz guitar. Rhythm made with an espresso machine.
I tried to do 2 main things here:
1) Create harmony with spoken voice, via pitch shifting (Did the first part of the program disturb you…
Just another quick test of the yet unnamed RobRokkenAudio plug in... with a scary clown. Hey kids! Rememeber the 80's? Awwww, that's ok, neither does Uncle Bobo...
Comments on mmi's stuff
Like it!
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
sounds great!
Very nice laid back track. Good idea with the mono recording.
Nice one, m. Drums are my A heel too, working on that. I like the beats and mix here.
Cool tune.
Dreamy, mysterious sounds. Gotta hear the rest of the album now.
Nice collab. Very cool sounds flowing around in it.
Wow! Stunning sounds! A sonic swimming pool
See, you are an Astronaut, you are a Creative Sound professor, Your record is produced, and we'll see about the Gold Medal.
Great collab guys. Really enjoyed the serenity and thank you for the about comments. I find it very interesting to know how things are constructed
cool stuff
Spacewalk! Beautiful track, guys! Lovely synergy.
Fantastic complement to the original track!
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
ohh, chill-out time!
Like this one george! .... sounds like inside the evolution of a seed from earth to air... dark to light!.... good vibes for the brain!!
Just got around to listening to this and I think your mojo is intact because it's really lovely.
Quite lovely!
added to the electronic/ambient playlist. thanks. http://alonetone.com/kavin/playlists/kavins-favorite-electronicambient-tracks-on-alonetone
Comments made by mmi
Mess?!? I'd say the net result is genius. Super super cool.
Sacrilege? Bah. This is technological art in the finest tradition. Inspired.
Good stuff! Like the contrast between the dark bass and the "happy" guitar.
lmao. When your tourbus makes a stop in Toronto, I want to know.
With a guitar lesson? Too cool! I know what I'll be doing when the snow starts flying.
Inspiring. If you don't finish it, I might :-)
A gem made more precious by the loss.
Yay for single take wonders. A beautiful gift indeed.
Feature indeed.
Brilliant. Wow. And yay for mumsie!
oh yeah... oh yeah... oh yeah... Deeply chilled and sweet.
Makes my eyes moist. Quietly stunning.
Wow. A true artist in our midst.
Dunno why but this one is special.
I think it needs some elephant :-) Awesome nonetheless.
Go away for a little while and look what happens. Well done indeed.
Once again you've done something very special. Props.
Beautiful. And since you mention it, I don't think that there's anything wrong with the recording.
This is very special. I really love the canon/chord you built from the First Part sample.
Holy coulrophobia, Batman!