these are the end tones and then it is the end of the record but you can hear the synth being shut down with the electrical pops and such.. I swear no more ends beyond end 2..
Actually kind of interesting -- I was entertained, and isn't that the point? Very Sci-Fi-ish and definitely out of the box and probably a few yards away from the box as well.
An interesting sound experiment. I like B flat -- I B flat broke most of the time. No, really, this was a cool trip -- I like your work with sound. Rock on!
Very interesting -- like a ghostly. psychedelic, out-of-the-box style sea shanty. I imagine life on a ghost ship would sound like this. Enjoyed all 10 minutes of it!
mew yep it is dead the acid studio has died the acid in the veins of sony's program spills to the floor and nothing is the same ... ever again. lost to the mutters of voices distant to any ear.. as Reaper logs in and .. takes over soon.. soon…
My pre-2014 originals (78 songs) are at:
http://alonetone.com/mythopoetica --
My 16 children songs (horrid recordings) are at:
http://alonetone.com/nightmoth --
My 13 cover songs are at:
http://alonetone.com/redshirt --
and all my new material are being posted at:
http://alonetone.com/koehl --
I'm known as Gene Eric Mann (generic man), Justin Otter Guy (just another guy), and Merry Bear. THANKS FOR LISTENING!
this was made in audacity because acid keeps on crashing when I go to save a composition very annoying :( but I was able to render the sounds in audacity minus the first 20+ minutes that were lost to bad acid.. acid studio 8
thanks Merry bear.. the one thing with this site that needs work is how to ... reply to comments to let the person know you replied other then going to their stuff and posting... I will post on your part of this site too thanks for the compliments :)
a Mash from this weeks sound-in.org workings..
Chris Vaisvil on guitar.. 22-edo interlude with the piece Washes in threes by Norbert Oldani and the big bass line by Glenn Smith
I like it when the music escapes the box and then makes a mad dash to get several yards away from that damn box. Very colorful - I dig the scene you paint with sounds. Dig the taste as well. Nice texture. Music should have texture when you're biting into it.
this was made in audacity because acid keeps on crashing when I go to save a composition very annoying :( but I was able to render the sounds in audacity minus the first 20+ minutes that were lost to bad acid.. acid studio 8
Trippy. Sci-Fi-ish. Reminds me of this time in the '70s when I came across these mushrooms in a cow field in Texas, and the next thing I knew, I was being abducted and probed by aliens. Groovy compilation of sounds -- Rock on!
single workings in my living room with the guitar. and putting it thru the supernova II for effects and amping.. suggested by a friend for me to see how my guitar playing is going.. :)
thank you but I have not heard this yet and will listen now.. it is a midi into out.. and the audio as well.. the midi is mapped to the atmosphere.
this vidio was made on the nj turnpike played backward at double speed. :) and effects hehe it…
some work done in conjuncton with Reaper... while wearing the grim Reaper t-shirt. :) this is an excerpt - part of track one none of track two but can stand alone if need be..
https://archive.org/details/MartinLutherKing-IHaveADream is the source of this free mattered recording that allows anyone to alter or change the cording. even for the sake of commercialism which I am not about.. I used audacity to cut paste edit…
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
Comments on Newbold's stuff
Actually kind of interesting -- I was entertained, and isn't that the point? Very Sci-Fi-ish and definitely out of the box and probably a few yards away from the box as well.
An interesting sound experiment. I like B flat -- I B flat broke most of the time. No, really, this was a cool trip -- I like your work with sound. Rock on!
Very interesting -- like a ghostly. psychedelic, out-of-the-box style sea shanty. I imagine life on a ghost ship would sound like this. Enjoyed all 10 minutes of it!
My pre-2014 originals (78 songs) are at: http://alonetone.com/mythopoetica -- My 16 children songs (horrid recordings) are at: http://alonetone.com/nightmoth -- My 13 cover songs are at: http://alonetone.com/redshirt -- and all my new material are being posted at: http://alonetone.com/koehl -- I'm known as Gene Eric Mann (generic man), Justin Otter Guy (just another guy), and Merry Bear. THANKS FOR LISTENING!
thanks Merry bear.. the one thing with this site that needs work is how to ... reply to comments to let the person know you replied other then going to their stuff and posting... I will post on your part of this site too thanks for the compliments :)
I like it when the music escapes the box and then makes a mad dash to get several yards away from that damn box. Very colorful - I dig the scene you paint with sounds. Dig the taste as well. Nice texture. Music should have texture when you're biting into it.
Trippy. Sci-Fi-ish. Reminds me of this time in the '70s when I came across these mushrooms in a cow field in Texas, and the next thing I knew, I was being abducted and probed by aliens. Groovy compilation of sounds -- Rock on!
+!
Interesting and heady! - Very cool.
fantastic!
woa!
the video is very cool too!
Nice!
This is a statement,
it is totally really dream like!
This is cool!
the midi file for this is here.. https://archive.org/download/SameWas1Track61/same%20was%201.mid over at archive... :)
beam me up to the starship....
Wait, this is scary; I did this and I am scaring myself. now.
very good arrangement!!!
Comments made by Newbold
impressive sounds so cool
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
nice... powerful-
very delicate in its way--
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
good sounds going on in this.
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
this.. this is so neat.. it has many different elements in a wide variety of way shapes maybe but a kind of protest in sound very good.
it is hard to tell that it is not the original. .. very good cover..--..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
these birds are great.. :) such great textures in the mix.. it is ..-- is great.
nice stuff. here.
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
thanks Jim --- it is quite the frequency mix going on-- I am just getting my feet wet with the macbook pro I have now.-- is quite a machine.-
nice work here--
nice and mellow .. ---
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..