I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
here this might need to be chopped up and layered then stretched somehow with Paul's stretch program. but this a section of the 32 min performance just rendered right from the record.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
Comments on Newbold's stuff
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
Had a few listens this morning...what a weird and delightful way to start my day:) Brilliant!
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
sounds good so far, gonna come back for the rest later.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
thanks It was really fun too to make them. :)
Wild tones.
sure!! I would love to hear what you can do with this. :)
I like it! Can I do something to / with / about / for it?
this track could use a drum kick at 2:04/5:15...anyways this is cool..
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
I like the arp work - more microkorg here? Have you tried hooking up the supernova to the korg via midi and audio?
Some lovely refreshing sounds here - especially like the injection of sparkle at around 2 mins.
centered :)
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
interesting - though why just in the right channel more or less?
this leaves glitch itching ,,
Comments made by Newbold
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
nice... powerful-
very delicate in its way--
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
good sounds going on in this.
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
this.. this is so neat.. it has many different elements in a wide variety of way shapes maybe but a kind of protest in sound very good.
it is hard to tell that it is not the original. .. very good cover..--..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
these birds are great.. :) such great textures in the mix.. it is ..-- is great.
nice stuff. here.
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
thanks Jim --- it is quite the frequency mix going on-- I am just getting my feet wet with the macbook pro I have now.-- is quite a machine.-
nice work here--
nice and mellow .. ---
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
rather long but well worth the listen the sounds are new and old going on in a wild mix that I like ..--