I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
here this might need to be chopped up and layered then stretched somehow with Paul's stretch program. but this a section of the 32 min performance just rendered right from the record.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
Comments on Newbold's stuff
the actual stretch is like an hour and fifteen minutes the video production compressed that stretch :).. fyi..
also,, really nice in the headphones
a bit of electrical magic
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
Had a few listens this morning...what a weird and delightful way to start my day:) Brilliant!
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
sounds good so far, gonna come back for the rest later.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
thanks It was really fun too to make them. :)
Wild tones.
sure!! I would love to hear what you can do with this. :)
I like it! Can I do something to / with / about / for it?
this track could use a drum kick at 2:04/5:15...anyways this is cool..
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
I like the arp work - more microkorg here? Have you tried hooking up the supernova to the korg via midi and audio?
Some lovely refreshing sounds here - especially like the injection of sparkle at around 2 mins.
centered :)
Comments made by Newbold
thanks It was really fun too to make them. :)
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
sure!! I would love to hear what you can do with this. :)
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
it is like playing to random computer musical notes. very well done.
centered :)
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
This is slick duck stuff on that side of the cosmic static charges.
pretty very what it is. more what is that screeching?(love-it)more more screeching.
neat sweet something here just so effected it is bliss. sigh => more?
this leaves glitch itching ,,
gets pen ready to outline the opera's conceptual structures in skeleton form. yes pen is better then computer keyboard sometimes ,, don't know why.
As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*
soo sooooo cool:; this stuff is like very very real at times.
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
reminds me of a mixture of such a variety of songs.
It is good to get this out to the web finally :)
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.