made during a video record session to get some image work done while mixing sounds, these are like more accidental then anything else mixed on the "spot."
here this is a mix of effect thru just one patch not the eight i usually do but the one patch is mixed onto itself and altered in audacity :) the simple and single line of new minimal is downloaded here
http://www.notonlymusic.com/board/download…
third in the reworkings from july 2008 :) seems i did not get to upload some of even the originals to trax's in space at that time there is a block from my music list that is missing .. guessing i was doing two projects tandom and missed the second…
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
as with anything that comes my way in an unexpected form the repercussion are endless here is a sample of some more second edits of old 2008 works that were in older versions of audacity but the files were still solid ,, what solid means at this…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
this is close to the end of the musix i was writing/recording as my terabyte was going down due to a bad processor fan that would cause the machine to crash and eventually cost all the memory on the drive to be lost meaning 600 gig of information…
this gets mixed into thoughts and back thoughts but here it is by itself, and right now I am listening to it, and @ about minute five something happens ;o nothing big just a mellow thing there as well. We, Me errrrr I am trying to cut the size…
She comes around to steal the day.
When she comes around, she wonβt behave.
and all good people kneel and pray.
cause she never frowns at a chance to play.
Planets collide and stars expire.
And I blame that girl for bringing us fire…
http://improvfriday.ning.com/
recorded for the Japan benefit happening this weekend (right now) over at improvFriday. Stop by and help or just give a listen.
My father brought a koto back from Japan after WWII, I thought this might be a good time…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Trial run after rearranging some electronic doodads on my side desk, most notably the pictured Drone Stack and HypnoDrone from Kaiser Electrical Instruments in lovely Duluth, MN. Recorded at the end of a rare week-long ice event in north Alabama.
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
For female voice and harp in Pythagorean tuning
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six oβclock;
And short square fingers stuffing pipes,
And…
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Comments on Newbold's stuff
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
Djeez, what a production... so hard to follow and keep track... nice drony piece again...
nice video effect!
cool sounding! you get so much out of your synth!
feelin fuzzy now thanks !
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
cool. the sound @4:30 remembers me on the sound of "mission to mars" when they find the face.
nice sounds!
Thanks for the listens, glad you liked the tracks. ;)
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
well that was the whole purpose: the encirclement of sound. I'm glad you liked it.
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
soo much great experimental stuff here on AT.... here another fine noisy example...
Fun stuff.
cool sounds!
computer music- good for me bro:)
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
I didn't understand anything you said in your comments
ahhhh minute 4:18 the next note comes in :)
Comments made by Newbold
The lyrics bring me back into 15 years ago and I knew someone like you are describing.. Yes a totally different time in my life.. π§¬βΊοΈ
Wow π³ love your use of the synthesizers in a guitar πΈ style. Nice drum π₯ placement πΊ
awesome,.. wow
Ohh wow π― so π cool π
Yes oh so great π.. WOW π²..
So nice ππ really did a great job with this
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Nice ππ
How do you create this sound??
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
Excellent groove and beat.. πͺ
Totally different song from the shower song it's hard to believe it is just a tempo change.. thanks..
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π