this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my Kävin Allenson
https://alonetone.com/kavin/tracks/moontowers
Kävin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
https://soundcloud.com/h92o/neon-crosses-2b-mixing-all-of
with this song-- in audacity --- the seven parts are all layered --- I cut a selection of 8minutes 20secs in and then using the time shift tool I slide the each of the 7 parts of this…
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
This started its cosmic journey in a toy piano. Through several steps of processing it came to where it is now. Partly in dedication to the (at this moment) imminent Grand Conjunction of Jupiter and Saturn, and also in homage to the recently departed…
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-
Once upon a time there was an online music competition called the Soundevotion Compo or SDC for short. It was more my thing because each round was a month long instead of the more typical week long, day long, or even one or two hour long compos…
SDCompo round 93
Funny thing about this tune is the first draft was an entirely different animal. This version formed toward the end of the round and came together in 5 days.
This one actually placed first.
Getting back to my roots here. This is almost a one-synth song, with most of the parts played by my then newly acquired Hive (mwa ha ha haaaa!). Also features TAL's Bassline 101, which is an excellent SH-101 in VST form, and numerous Voxengo…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
Choir and French Horn ensemble using a basic just intonation tuning.
! ji_12.scl
!
Basic JI with 7-limit tritone
12
!
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15…
Drumming on the skin of what was supposed to, and may yet, be some type of guimbri-type instrument if I can get around to putting strings on it. First with a soft mallet, then with regular drumsticks. Submitted to Sound-In "Percussion" for 3-9…
Comments on Newbold's stuff
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Really cool sounds Bill!
This one tickles my brain! :)
Годнота спасибо _________________ Букмекерская теннесси
That’s was a hallowe’en special while having the morning coffee
Comments made by Newbold
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
just great -0-
good-
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe this is like critically important sounds --- so much excellence-
I believe you
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-
really great--- it is neat.
nicely balanced :) === the drums enter just at the right time- 000 - guitar and synth guitar is greatly mellow-
pretty
Hive seems to be at Hive 2 now.. Hive 1 has upgraded, I will keep this in mind.. :) thanks-
quite powerful --- like future music... but it is now. really-
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
loco es grande en la cabeza no poco loco
pretty and very mmmm Large sounds very big and open like tones.. here
nice synth sounds going on- ===
getting me to want to bongo and record that drumming --- I just might... excellent rhythm hitt --