this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my Kävin Allenson
https://alonetone.com/kavin/tracks/moontowers
Kävin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
Comments on Newbold's stuff
This feels like the soundtrack for yet-to-be-made sci-fi movie. With claymation aliens.
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Really cool sounds Bill!
This one tickles my brain! :)
Годнота спасибо _________________ Букмекерская теннесси
Comments made by Newbold
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
nice... powerful-
very delicate in its way--
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
good sounds going on in this.
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
this.. this is so neat.. it has many different elements in a wide variety of way shapes maybe but a kind of protest in sound very good.
it is hard to tell that it is not the original. .. very good cover..--..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
these birds are great.. :) such great textures in the mix.. it is ..-- is great.
nice stuff. here.
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
thanks Jim --- it is quite the frequency mix going on-- I am just getting my feet wet with the macbook pro I have now.-- is quite a machine.-
nice work here--
nice and mellow .. ---
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
rather long but well worth the listen the sounds are new and old going on in a wild mix that I like ..--