this is for the sound-in event "Unheard improvisation playing event."
I did not listen to the sounds and randomly picked the presets and settings on the supernova II --- I was just blindly looking at the levels in audacity as it was recording --
the submission for the sound-in event Groove--- I have taken my voice and some synth samples mixed them in novations iPad app LaunchPad- so as using the voice samples in loops not too groovin but anyway---
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
http://www.illustriousmusic.com/mp3s/Piece100220.mp3
this song by Shane Cadman
mixed with this song my Kävin Allenson
https://alonetone.com/kavin/tracks/moontowers
Kävin's piece had the tempo slowed down to match the length of Shane's…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
https://soundcloud.com/h92o/neon-crosses-2b-mixing-all-of
with this song-- in audacity --- the seven parts are all layered --- I cut a selection of 8minutes 20secs in and then using the time shift tool I slide the each of the 7 parts of this…
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
tell me about the game or a link or something this is an image of the current game I am at now..
http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
Comments on Newbold's stuff
How crazy, I felt in another dimension, I like it!
unheard midi created performance--- using various presets and editing the midi and sound
Very unusual piece, and especially for your typical very thick wall of sound collages. Very good, I enjoyed the piece!
thanks Jim-
Liquid space Bill, fluid and magical!
This an impressive combination!
like John Luther Adams in a way :) inventive with simplicity and I like where you transition to 'be the .... Bill
Very cool, crazy and well crafted and out of the box just like I like it...
Thank you for putting this together! Sounds great!
!!!! such a mood!
this is really great!
Very interesting vibe to it, like a haunted wasteland. never heard piano like this before.
Wonderful!!!
Thanks Din --- I saw you put up some new music here,.. and logged in .. good to see you back --- it has been a while since seeing you on here.---
make that 2:50
I love the drumming that starts around 3:00 :)
Really cool sounds Bill!
This one tickles my brain! :)
Годнота спасибо _________________ Букмекерская теннесси
That’s was a hallowe’en special while having the morning coffee
Comments made by Newbold
gets pen ready to outline the opera's conceptual structures in skeleton form. yes pen is better then computer keyboard sometimes ,, don't know why.
As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*
soo sooooo cool:; this stuff is like very very real at times.
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
reminds me of a mixture of such a variety of songs.
It is good to get this out to the web finally :)
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
tell me about the game or a link or something this is an image of the current game I am at now.. http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
thanks the more of this a was actually recorded first then this one was second... the video is in production with the layering effect
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
has an almost slowed down crafty guitar like effect just more organized then that. pretty.
have to make more of these videos when there is the more powerful computer back from the shop :) ,,
very pretty Chris I like the running chromatics here.
distorted spots were confusing in order to discern exact melodies but that might of been the idea...
this sounds like something I did, well the guitar work when I altered it in cubase. It is really nice to hear similar stuff in other places!!
very expressive hypotheticals and they are really beat wise in thought developing with the sound tensions .. nicely worked - in other words
the universality is quite satisfying, special breath effects could be more intense ,, Maybe..