This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant!
cool side of you.
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
D'ya know, I think I like this the best so far.
Your tracks are all so precise, but this one has the edge.
Yeah, what about the video, let's see yer dimples
twitching!
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"!
Cool ending too. Well done.
A Christmas song about what really matters.........i got the idea for the music listening to Jarvis and his accordian the other evening so thanks J........
A CHRISTMAS SONG (Lyrics)
Welcome to christmas eve the show begins again
were going…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
I was inspired to make this instrumental track when I heard some great drum loops made by alividlife and uploaded to Looperman.
I hope you enjoy listening as much as I did making it.
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off.
As a Kansas man, that's just a bit too close to Texas for me.
After Brook drowned.
Ra Byn did everything but rhythm guitar.
He must have been about 12.
Open 9th tuning...
Well, you say that you're lonely
I see that you are
Tell me, where have you been
Life ain't no lay pen
Yeah, you call it a…
Tesla...maybe the smartest man that ever lived.
TESLA
Who invented remote control? TESLA
Who invented the fluorescent light? TESLA
Who invented the radio? TESLA
And who died alone and forgotten in 1943? TESLA
So, you say now, “Don’t…
Sometimes it might be best not to even think about what terrible things might happen. It might be part of setting those very terrible things in motion. How can one know?
Comments on Norm's stuff
I was waiting for you to break out with your annual awesome percussion but this piece just kept on stretching till the end. brilliant! cool side of you.
it duz work well.. jus done a turn around the room.. worked it all the way. :)
ace
is mad what can be done messing with sound. hats off.. incredible listening experience
Not enough cowbell. ;) Very effective! Great tension build-up!! Remind me not to play this late at night.
WOW! I may have to get that program. Fascinating sounds!
Very cool use of PS!
Wow!! Thats some space age gong.......excellent.....like a calling of the Gods.........
whoa! The gong sounds HUGE!
great groove , crisp recording too.
D'ya know, I think I like this the best so far. Your tracks are all so precise, but this one has the edge. Yeah, what about the video, let's see yer dimples twitching!
Like where this goes-hypnotic rythm, really hits the chakras. Enjojed Al
this just excellent - the production has great clarity too!
Who needs ice cubes?!
very cool,, two or three or how many congas? some of it sounds like beats on the out side of the skin and some from the center,, im trying to picture the technique,,, have you ever made a video of your play?? i think it would be fun to watch,,, well hit R
awesome Norm!
*Love it!*
Kick a$$!!!! WAHOoo love the flow of it man!! All aboard the fav bus!
You don't need apply for the job Norm it's yours....of course.....i threw this in the cellar earlier and a young Johnny Cash went and jumped all over it
well thats impressive indeed....it made my Irish Red ale even taste better, thats the power of rhythm......
Comments made by Norm
@Goose: I know nothing about guitars but I think Kirk's Stratotone is named "Clark". And not red.
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"! Cool ending too. Well done.
OK, what's the story with the oscillator and did you use it on this piece?
The accordian works well with this! Great vox, as always.
While I know nothing about harmony, I will say that I prefer an augmented fifth, but seem to always end up with a diminished fifth. Sweet piece Kirk!
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
Excellent Reg! Way to bring the rasta to Ambrose!
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
We will see you through this Reg. At some point you need to stop giving the fairer gender the power to tear you up so badly...
I'm aboard!
Great collab! Just perfect. (Ah, Bee, can you ask those Robins to hurry up with it?)
Lovely.
Excellent!
Excellent!
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off. As a Kansas man, that's just a bit too close to Texas for me.
I am very sorry to hear about Brook.
Maybe he needed a better PR firm? Perhaps he should have considered late night info-mercials? Excellent concept!
Excellent!
Another very clever one!
Excellent!