"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb?
Nice one, really warm malaria-like sound
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
Music & Vocals by Holger Bremer
Lyrics: Johnny Ace Williams
Arranged & mixed by Steffen Offermann
======================================
This song was written and performed by Holger Bremer. My only role in it was the mix and master…
.......if there not the one,should you keep looking, if so for how long...........well Reg threw Henwrench's music into the cellar and what bounced out was a song he wasn't suspecting....
Love me tender
I've been alone now seems to long…
Wait. Did you actually throw Henwrench into your cellar? Here's my talley of who's down there already with the Regs Deuce:
Henwrench
Vincent Price
Elvis
Frederico
Louie Armstrong
Bon Scott
Frank Sinatra
Jim Morrison
and perhaps Satan.
For Debbie, written (just) before I met her.
Reaching Out For You
I've been trying
Crying
Reaching out for you
It never is enough
I never do get through
My heart is true
My heart is meant for you
I've been crying
Trying
Reaching…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Reg was at the weekly AA meeting at the old school and the group asked Reg if there was anything he would like to share....so Reg decided to share this ........
A spectacular vox Reg, although I confess I can no longer tell when you are copping an accent - I suspect you have many convincing voices.
Poor big-hearted monkey. You are going to miss him. But at least he's off of your back, if I'm hearing this parable correctly.
I've been all around
I've been up and down
I said I've traveled in all directions
Now
The world is new
If you've seen what I've seen
And you've been where I've been
I guess you know what I mean
Now
The world is new
RPM 2011
-
A true story about some of my odd dreams
If the world's strongest man
Could hold the world in the palm of his hand
Would he crush us all into dust?
As a way to punish us
These are the kind of things
That seem to occupy me
If a giant…
Poor old Reg he cant figure it out!! ........ since he's been listening to his self help tapes to stop drinking he has never got any money and he just doesn't understand it, he keeps working coming home relaxing to the tape........... then when…
It's a curious thing. I guess that I like this song... I've started to listen to it several times and I have apparently "faved" it, but I can't remember listening to it for the life of me...
An improv in a found tuning. E and A strings tuned WAY down so they're slapping the neck:
A(low) E(low) C# E A C#
Super full moon tonight! (View More for video)
Beautiful. And thanks for pointing out the Super Moon - I spent some time in awe of her Saturday night from the vantage point of a small tent, way out high in the Blue Ridge Mountains...at <30 degrees! Now I know why she appeared so huge!
This is an "official" contribution to the ImprovFriday Japan charity event album if the music is approved.
More details:
http://improvfriday.ning.com/
and here
http://improvfriday.ning.com/forum/topics/japan-charity-event-thread
standing in the cornfield you watch the corn grow and
the searing hot days pass on to night to day to night to day,
taller and taller, until you are one with all there is...
for you are one of them...
your roots dig soil,
your stalk stretches…
Well, who do think came down the cellar last night... Yep! you guested it, Charlie Sheen, he was none too happy. He should have been if the girls with him were anything to go by. He'd come to talk to Elvis about handling the Yes men and how he…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Reg was talking to Elvis about Frank and he told him something he didn't know.you can have it all then at the end not remember it which is what happened to Frank the grind ground him down a sad ending for a great man......Dementia is a cruel end…
Good one gents!
Er, Reg, do you need a bigger cellar?
Here's my talley of who's down there already with the Regs Deuce:
Elvis
Frederico
Louie Armstrong
Bon Scott
Frank Sinatra
Jim Morrison
and perhaps Satan.
Comments on Norm's stuff
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb? Nice one, really warm malaria-like sound
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
glad to be back. good stuff here.
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
I heard the style somewhere but you perfected it. Thanks for uploading.
Phenomenal - almost, pheromonal!!
i played this in college. fun.
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
Absolutely brilliant.
Great brilliant top job mate.
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Cool job ...but hey lyrics and no vox ?
Yet another good one. I love how you always post the style and a bit of history with each track. It always helps me understand the song better.
excellent! I like the way the congas answer each other.
Great stuff Norm! I must make some time to jam with some of your tracks
Beatiful!
Comments made by Norm
Fantastic mix.
Wait. Did you actually throw Henwrench into your cellar? Here's my talley of who's down there already with the Regs Deuce: Henwrench Vincent Price Elvis Frederico Louie Armstrong Bon Scott Frank Sinatra Jim Morrison and perhaps Satan.
Yeah, great bass. Love the guitar work. Love the vocals too! Heck, I love the whole thing!
Cool vocal effects.
Solid. Love the bass.
A spectacular vox Reg, although I confess I can no longer tell when you are copping an accent - I suspect you have many convincing voices. Poor big-hearted monkey. You are going to miss him. But at least he's off of your back, if I'm hearing this parable correctly.
Excellent.
Love it!
Excellent!
It's a curious thing. I guess that I like this song... I've started to listen to it several times and I have apparently "faved" it, but I can't remember listening to it for the life of me...
Beautiful. And thanks for pointing out the Super Moon - I spent some time in awe of her Saturday night from the vantage point of a small tent, way out high in the Blue Ridge Mountains...at <30 degrees! Now I know why she appeared so huge!
Sounds like some kind of fun!
Heartaching, yes.
Wild indeed!
Thump me bass man!
Great collaboration team! Wicked vox and waa!
Nice jammin' Rick!
Beautiful Reg. This will mean a great deal to your eldest daughter, so I hope she gets to hear it.
Excellent!
Good one gents! Er, Reg, do you need a bigger cellar? Here's my talley of who's down there already with the Regs Deuce: Elvis Frederico Louie Armstrong Bon Scott Frank Sinatra Jim Morrison and perhaps Satan.