"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb?
Nice one, really warm malaria-like sound
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
since johnny's death experience on alonetone he has realised he has special powers not only can he recreate any song that's ever been made but he can now transcend consciousness and appear anywhere in the world that he wants too and tonight he…
Reggikins??? Good grief. A desperate fool. Predictible. Don't forget your credit card Reg - this one is going to cost you more ways than one.
(Fantastic vocals)
Reg will just not listen not only have Chris and Norm told him but Elvis Jim and Louie all had the same advice..Forget her....move on but he is going against all the advice. He just can't get Desirea out of his mind, he loves her. He's trying…
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!
Reg will just not listen not only have Chris and Norm told him but Elvis Jim and Louie all had the same advice..Forget her....move on but he is going against all the advice. He just can't get Desirea out of his mind, he loves her. He's trying…
Oh boy. You keep insisting on crashing that same car over and over again.
Can't you see that she collects broken hearts like butterflies - and pins each one into a cigar box she keeps under her big brass bed? The only time she feigns interest in you Reg is when you somehow manage to fly off again - pin and all!
Peter bought the old grey wolf down the cellar and Humphrey had to go and chat to him and tell him about his day. This is the story he told him...................
YOUR NEVER TOO OLD TO BE A FOOL
It’s 7.55 and the doors just opened. She’s giving…
Chris sent me the the track this afternoon and i took to it straight away and threw it down the cellar to see what would happen and Frankie Zee quickly scribbled the lyrics and Reg sang it or should i say spoke it straight in one take because…
Outstanding Zappa feel on the percussion. Vaisvil, you should be careful about whom you allow your children to play with.
Reg: your love for Desiree does not come from above. I'm not even sure that she herself is of this world. Why does she always keep showing up at your most vulnerable moments, only to disappear almost immediately??
I've been asked to give a short talk on the book of Nahum from the Old Testament. This is my first response.
Around here the lower class young people are in to old style rave with MCs, so I felt led to make a track in that style to go with the…
Geas sent me this tune for National talk like a pirate a day so we took it down the cellar and luckily Robert Newton was down there so we got him up on the stage and got him to do this little number......Hoping Yee enjoy eye arrh…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
@Bee: Yes, these traditional patterns frequently have a melody of their own, and while it can be varied to some degree, an audience familiar with the pattern (and the dancers) expect to hear that melody.
Otherwise the percussionist had better be playing behind some protective chicken-wire!
Comments on Norm's stuff
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb? Nice one, really warm malaria-like sound
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
glad to be back. good stuff here.
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
I heard the style somewhere but you perfected it. Thanks for uploading.
Phenomenal - almost, pheromonal!!
i played this in college. fun.
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
Absolutely brilliant.
Great brilliant top job mate.
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Cool job ...but hey lyrics and no vox ?
Yet another good one. I love how you always post the style and a bit of history with each track. It always helps me understand the song better.
excellent! I like the way the congas answer each other.
Great stuff Norm! I must make some time to jam with some of your tracks
Beatiful!
Comments made by Norm
Great production! That cellar is an awesome place!!
Reggikins??? Good grief. A desperate fool. Predictible. Don't forget your credit card Reg - this one is going to cost you more ways than one. (Fantastic vocals)
@Vaisvil: You-know-who is more likely to break up a marriage than a band...
Still hating this one. Daily.
Still hating this one too.
This is still perfect. One of my favs. I kind of feel sorry for that coin... and other times envious of it.
Outstanding!
Oh boy. You keep insisting on crashing that same car over and over again. Can't you see that she collects broken hearts like butterflies - and pins each one into a cigar box she keeps under her big brass bed? The only time she feigns interest in you Reg is when you somehow manage to fly off again - pin and all!
Yeah, that will just happen to you once. Beth is right. Good one!
Uh, Reg, we have heard this before from you. I hope for your sake that you have finally learned your lesson.
Reg has some of the best advise regarding "hate" that I have heard for awhile. Don't be a hater!
Outstanding Zappa feel on the percussion. Vaisvil, you should be careful about whom you allow your children to play with. Reg: your love for Desiree does not come from above. I'm not even sure that she herself is of this world. Why does she always keep showing up at your most vulnerable moments, only to disappear almost immediately??
Clever.
Well done Clara!
Beautiful.
Yes, wonderful harmonies.
Excellent percussion & bass here!
Another great one.
KEEL-HAUL HIM!
@Bee: Yes, these traditional patterns frequently have a melody of their own, and while it can be varied to some degree, an audience familiar with the pattern (and the dancers) expect to hear that melody. Otherwise the percussionist had better be playing behind some protective chicken-wire!