Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
The relationship is going wrong. You suddenly realize that those so called friends of yours are paying a little bit too much attention to your honey................ (Take 2 remixed to see if i could get the voice cleaner)
With his lottery money Reg has invested in becoming a funk star. The other reg came up with the tune and Reg jumped all over the thing......come and get funky with thetwoReg
another home recording using a Zoom MRS-1044 and 3 mics on the amps and lizzie. the geeky stuff, fender strat with the David Gilmour EMG setup through and Ampeg reverberocket amp. Sam used his boogie amp with his Ibanez.
I wrote this song a while back...
First I Ever Did....
Catch The Original on Soundclick If you want.......
It Got Covered by some Awesome Musicians!!
Mark (Launched) :Bass, Backing Vox and Production
Geir Alfsen: Lead and Guitars…
Nobody knows how, what it will be - the future. We look at it, trying to see, to detect something and ... it goes fade, it's always receding, receding ...
~sonaresque~
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
Track 6 on Tarbosaurus Antagonist. Written and recorded from February 2009- January 2010. This is a T.Rex cover, but I didn't want to interrupt the flow of the album.
Reg is addicted to this new lady who has started to frequent down at the cellar she appears as if by magic late in the evening and then seems to disappear before Reg can get close.....
Careful Reg! She could be a hallucination! I don't like the sounds of this... er, well, I mean the sounds of this situation.
The sounds of the song are top-notch, as always.
I thought the hand claps were a bit weird but I wasn't running this dog and pony show. See more notes under "red cowboy" and "I left my toothbrush in St. Louis".
Reg has been trying to learn the art of slowing down, relaxing under the pressure of abstinence.......................it seems to be going well .............
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Awesome! What's a "honey trap"?
How did I miss this classic??? Mmmmm, mmmm, mmmm - this is wonderful funky goodness! Outstanding!!!!
Outstanding!
Cool fade in at around 0:40!
Excellent!
Totally pro.
Excellent! Lots of cool energy with this one!
Don't worry about tomorrow - tomorrow will worry about itself. Each day has enough trouble of its own. Great space!
Lovely.
Nice cover!
Yes, the bass line is awesome. Nice work here.
Peachy!
Outstanding.
Careful Reg! She could be a hallucination! I don't like the sounds of this... er, well, I mean the sounds of this situation. The sounds of the song are top-notch, as always.
Excellent!
Excellent!
Ha! I want one of those burritos too!
Hang strong Reg!
This is lovely Reg.
Excellent!