alonetone radio: Latest
Latest
Nature is beautiful but if human not respect it Nature could react badly against human.
This is just the thema of this music and video attached
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Always on the threshold, always buzzing, get out of my head, get out get out
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Another song from our 1984 collection 'Take The Strain'.
Finale is a haunting short song written by Jules McDonald. Guitars by Brian Greenfield and Martin Newey.
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???? ???????. ???, ??? ???? ????? (1977). ???, ??? ???? ?????
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Listen to this exclusive interview with Dr. Fanous as he speaks candidly about getting a cosmetic surgery procedure such as a liposuction or a tummy tuck. He will walk us through the initial procedure and the recovery process.
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Home Painters teaches us how to remove "popcorn" (aka. stucco) and flatten your ceiling without leaving a trace. For more information, visit Home Painters for their services at 16 Yonge Street Suite 2612, Toronto, ON M5E 2A1 (416) 494-9095 or…
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The Institute of Cosmetic Surgery in Toronto has a list of satisfied clientelle from across the globe. Visit us online today at http://www.cosmeticscanada.com/ to find out more about us.
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yep the dugup base line and more to this there ..
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This poem was written by Morning Star almost 30 years ago. Moon set the music to it, later. We've still got a lot of hunger on the earth!
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Yet another version of this oneyet another version of this one still trying to work this song out I am currently working on another one
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Recorded in 1984. A track from a collection entitled 'Take The Strain'.
Written by Phil Greenfield. Vocals Jules McDonald, Guitars Brian Greenfield, Bass Martin Newey, Keyboards Phil Greenfield, Drums John Wheat.
Engineered by Phil Dawson…
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new stuff based on an old theme.. nicely played too...
017_arp_stuff_2
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At last... I've managed to finish something.
This was written months ago. I was about to try recording it with one or two others when this year's decorating started. With various buggered fingers, back muscles, etc, etc, I wasn't actually able…
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midi interfections systemized and absorbed some.
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A long and evolutive piece of music using quite a lot of tracks and instruments (keyboards and guitars). Composed in Cakewalk Sonar8
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Composed on keyboard Yahama PSR433 and added others tracks inside Cakewalk + tracks with Electric guitar
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Compose in Cakewalk Sonar8 using Korg Microstation keyboard and Aria Electric guitar
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Composed with Yamaha PSR433, Korg Microstation and Aria Electric guitar. Mixed in Cakewalk Sonar8 and Mastering in Magix Audio Cleanic
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Keyboard Korg Microstation + others VSTI instruments + Acoustic and Electric guitar in this composition
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Composed inside Cakewalk Sonar8 using different VSTI instruments (played on midi keyboard) + Electric guitar Aria (copy of Fender stratocaster)
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Even if you think you are listening to some guitar parts in this composition,in fact nope because I played everything on keyboards :-). Composed inside Cakewalk Sonar 8
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I started to compose sequences + drums frame with Storm software (from Arturia), then added keyboards,guitars effects finishing with my voice + playing flute throw a vocoder.
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Cool piece of music compose with Yamaha keyboard and electric guitar + effects in Cakewalk Sonar8.
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Just a quick riff idea to throw at bandmates, only full speed this time! The slowed down version is also up so I can figure out what the heck I actually played. probably. maybe. ish.
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Just a quick test riff to throw at bandmates and see how badly we can mangle it into something better. hey, if you dig it, swipe it and use it!
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Perpetual motion of things that will not stop even when we're no longer here. Strange feeling.
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"Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really... "Do the stars gaze back?" Now…
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This is basically an experimental track using Propellerhead Reason, and the iPad app Beatsurfing as a custom MIDI controller. Sonic madness ensues. :)
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My late grandmother, Margaret Nina Hogan, wrote this poem about the dignity of the Catholic priesthood many years ago, probably around the time of WWII, or perhaps even a little before then. It was dedicated to a priest she knew. It wasn't until…
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This was written at the same time as Laughing. The plan was to try writing songs that I could sing while playing the guitar. I think I played my first bedroom recording of this (with me playing my brother's drums, gasp!) to Mike the bass player…
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I play a right hand guitar left-handed, and so playing a maj9 chord is proving to be really hard (plus I often neglect pinky use). So I'd been strumming it out slowly to get ahold of it, and ended up making a drowsy mini track.
Feels Like,
Feels…
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I don't remember a whole lot about this one. I wrote it along with two others in my bedroom at my parents' house, probably in 1993 or 94. I know the idea was to write stuff that I might be able to sing and play at the same time. This was played…
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My band Wilson Fifer Rose was played on an excellent Dutch radio show called Smaak Van Kraak (which means, "a taste of Kraak" (Rob Kraak is the show's host!). On this show he played two of our songs: Diamond Eyes and To the Water from our album…
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My childhood friend, my constant compass... I have no reasons left for you. So I bleed the defenses, and open the dams. And I obliterated
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~For whom who far away~
Also:
"The Red Cow tried to stop dancing but it was no good. "' I can't. It is the seventh day of dancing. And I can't eat. I can't sleep.'
"Hm - very strange." said the King. What does it feel like?"
"Funny…
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ok, dam! this is a long one at 12:18, mostly cause it is 2 songs. took all day to get a decent mix and I am stopping here now. slow and some nice chords and a metal middle.
for naught - is an 8:45 song, about a poor schmuck who just never seems…
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Sort of inspired by random soundtracks. Of course it ends up being 8 minutes long...
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