With this song, I was challenging myself as a producer, seeing if I could sample the song, 'Vocalise' by Rachmaninov... You tell me if I got it right! Words by CMOR Sample by Rachmaninov

Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…

just learning this one still for my pops on fathers day who I know at least would have me listen to bob seger when I was young.

Further experimental instrumental work. No keyboards, just guitar tracks and drums.

My very latest unreleased creation. Lucky you! Piano and synthesizer merged.

Another new release direct to you!

One of my new tracks for 2012. You heard it first!

The title track from my 2011 album is soft and dreamy. Instrumental with acoustic and electronic merged.

Another track from The Rain Will Never End (2011). Buy at noahcohn.com!

A track from my latest album. Exciting and upbeat. Buy it at noahcohn.com!

One of my favorites from years gone by.

Colab with my buddy multi-instrumentalist Jim Goodin. Jim sent me his improv oud track and I played some slide mandolin over that.

I rap! I astound myself daily. Rob Mills suggested a dance cover... here it is! Enjoy xox

Broken ------ i wake up every morning with a look upon my face it's called disgust And we're all here to blame i wake up every morning with something caught in my throat it's called hate or maybe it's just your name // i am alive…

According to John this lyric was inspired by the weird visions of a former sports reporter who now thinks the people in high political places are actually lizard men from space. :D Lyrics: John Williams Composed by: Andy Gupta Vocals: George…

I found an old Blues book in an Oxfam charity shop by Jerry Silverman, heres one of the tunes from it. Which i have Regged up a little...........

My friend Otis Maly on the bass guitar and keys. Another RPM 2012 demo that was laid down before the focus shifted completely to improvisational sound-fields. On High -- Why oh why must we wait? Why should we hesitate? Turn your…