a grove ready to inspire. Let me know if it has inspired you.

A sad and peaceful piano ambient piece with a touch of avantgarde jazz in a winter landscape.

So, I'll drink up, beautiful, I'll leave bottles, up and down the coast, When I get to that light house, I'll burn it down, and laugh. Skeletons rise up to meet me, In a place where the waves touch the beach, And hollowed bones, broken…

Dude stole my guitar so I wrote a song about him... BICYCLE EDDY Bicycle Eddy, he rode at night Had no fenders on his bike Had a brown streak up the back of his shirt Eddy don't care. "It's just dirt." Bicycle Eddy, he slept all day…

name says it all

This is one of those that just came to me after reflecting how much I need His mercy.

i had some free!! time today to make some noise so i did and ruined a perfectly good song with bad drumming bad guitar and bad vocals ….now i’ve sold it to you enjoy Happy New year…I’m off out on the piss!! see you later ….Maybe????/

Bits and Pieces

Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha! First draft in 2006…

For me, one of the side effects of unemployment is insomnia. I am the kind of person who worries about things, and often that worry extends into the night time hours. I sang this after a particularly difficult night. The vocals aren't the best…

From RPM 2010. It's entirely analog synthesizer, drum machine, and my voice. Effects, too, of course. It's pretty repetitive, but I find it kinda catchy.

12 string acoustic gtr "prepared" with a hair band and paper clip.

A power ballad written and performed by Eric Carmen in 1975 and to this day is still a hit. I hope you enjoy my version.

Just posting a stripped-down version (as per a listener request) of this DADGAD tuned song.

In Manila, waiting in the U.S. embassy line for a tourist visa back in 1999 was a 2-day affair in sun or rain, day or night. This is a 7-min. ode to the torture of waiting for the unobtainable.

Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.

Leonard Cohen cover.