alonetone radio: Popular
Popular
Sure this song is a party jam produced by one of the latest and hotest producer in town by name NOBLE SOUND and also mixed by CHIBYKE an all time producer......please do me a favour by downloading the song you will surely like it.......(LIKE AM)
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This was my first track when i began singing,i wrote the song my self and the song is all about expressions and feelings you have towards your babe or your love its a very nice song and believe me you will surely like the song.......its more like…
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A traditional igbo gospel song that tells of the beauty of God.
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A gospel song that tells of the goodness of God
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Oluoma Chukwu tells about getting help from God whenever you come to him
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Snow on the ground. Wind and temperatures below zero. It's time for another coffee table evening.
Recorded live around my coffee table with:
Mark Lofgren - Lead Guitar & Harmony
Colleen Dillon- Ukelele & Harmony
Greg Connor…
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The finished product! Oldest daughter shines!
We don't always see eye to eye
And there are some days I don't know how we get by
We spend so much time caught in the race
Gotta slow down the pace
When did the river get so wide
All I thought…
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Em
Well, some folks got big noses
Some folks got big ass
Some folks stand out in the aisle
Make it hard to pass
Am
Some folks got money
Em
They say, “That’s just how it goes.”
B7 A
They make it hard for folks like me
Am Em
To keep…
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A little heavy with the reverb, but it makes sense in context, I guess.
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This one makes me happy and sad in about equal measure.
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One of my prouder RPM moments. A buddy told me, "You really captured what it feels like to have bad tinnitus." Exactly what I was going for!
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Recorded the drum parts for another RPM Challenge project, but ended up not sending them.
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Written in FL Studio. There was originally going to be a guitar solo. I'm glad I ran out of time.
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FL Studio for the music. Number station recordings taken from the Conet Project.
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Drums recorded with Zoom Handy H2. Guitars, bass, and shouts recorded into the computer.
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FL Studio drums and bass, with live guitars. Might be less dull with words, but then it *is* unfinished...
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Used my acoustic guitar and upright bass, and my dad's banjo.
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short piece created in Loopy HD, fretless guitar
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Stiff, awkward live drums with an unrelated guitar part pasted over them.
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Set the parametric drum plugin to "all fills/solos" and pasted an unrelated bass part over it. ("Xenochrony" is a Zappa-ism.)
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One of the happier-sounding things I've ever come up with. Ukulele and upright bass.
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Recorded myself learning ukulele chords, then pasted it on a busy parametric drum track.
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When learning this guitar part, my bandmate asked me, "Do you write anything that's not weird?" (or something to that effect). No, sir. I do not.
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Messing around with the settings for the drum plugin. Didn't think to disable the miscellaneous percussion settings, and ended up liking them.
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Programmed the drum part on my old Kawai drum machine for a buddy back in 1995. Managed to import into FL Studio, so I wrote a crappy guitar part to celebrate.
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Two riffs on guitar and bass, over programmed drums.
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1980s Casio keyboard again, with some crappy guitar added.
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Hooked up my old Casio keyboard to see if it still worked and if I could record it into the computer.
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Dorked around with the same circle-of-fifths thing while waiting for people to show up to a jam session. (They didn't.)
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Testing the MIDI-to-USB cable from my cheapie keyboard into FL Studio.
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More parametric plugin drums with some "just making sure the computer will record the guitar" bits pasted in.
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Borrowed my dad's Dobro and fumbled through part of the circle of fifths on my acoustic guitar.
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another fretless improv done in short phrases and assembled in Loopy HD.
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Collage of bits and scraps from other tracks. Includes an old third- or fourth-hand drum machine from the 80s.
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My annoying voice speaking through a mic attached to a guitar multi-effects processor while I cycle through presets.
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Generated in FL Studio. I cracked myself up thinking about each electronic instrument being played by a separate AI or robot in an electronic band.
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Electronic track cut short by the imaginary (and irascible) electronic recording engineer that I like to think lives in my computer.
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Electronic track based on the verbose message that displays when one enters an incorrect password in our corporate time tracking system.
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My wife found me a creepy picture of a demented looking rabbit and cat playing banjos, so I tried to imagine what song they were playing. Then I added some cursing.
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Meh. Quick attempt to emulate the better drone track from 2011. Loud and feedback-y, but dull. Added 3 minutes to the runtime, so there's that.
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Parametric plugin drums and either my new seafoam Squier Strat copy, or the last hurrah for the old Fernandes Strat copy that I sold back to its original owner.
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Parametric plugin drums and my old Ibanez shredder guitar.
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Programmed drums, one of my bass guitars, and my flat-black Epiphone Explorer.
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I picture three rickety automatons, their paint cracked and faded, dancing near each other in a dusty "futuristic" cabaret that humans have not visited in a couple of decades. The figures should dance together, but their hands rest a few inches…
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Started with a programmed cello part that I forgot to unmute when I exported the WAV and MP3 files. Ah, well.
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The happiest-sounding thing I've ever recorded, as far as I can remember. Played on my new (at the time) acoustic guitar, upright bass, and thrift-store student-model bells.
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Collage of leftovers from the recording sessions for this album and the corresponding Spice Rack Collective album, Could Have Done Better.
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Acoustic guitar, bowed psaltery, and various percussion. It took longer to tune the psaltery than to stumble through 3-4 takes of the simplistic melody.
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Built from 4 measures of sheet music appearing in the issue of Fortean Times used for inspiration. Created in FL Studio.
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Mandolin, acoustic guitar, and 5-string electric bass. Obviously, my guitar strumming cannot keep up with my mandolin picking.
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Programmed drums, baritone guitar, and 6-string electric. Kinda boring, but it's only a minute and a half. :)
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Recorded on my 1-string cat head diddley bow, which was made by Johnny Lowebow in Memphis, TN.
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Parametric plugin drums, plus 5-string bass and Squier Strat copy. Might have recorded an acoustic guitar track as well, but it didn't work as well as the electric track, and the "song" sounded too busy with both.
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Parametric plugin drums plus guitar and bass. Clearly remember watching the rare Alabama snow fall into the light from our front porch, right under the double windows in my office/studio. The image has nothing to do with the track or the title…
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Coulrophobia = fear of clowns. *shudder* Created in FL Studio.
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Vocal bits are excerpts from Charles Fort's description on Wikipedia or from his works (available from Project Gutenberg). While watching some horror movie late in February 2015, I suddenly had an itch to play something long and slow. Used 5-string…
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I'm proud of this one, but it does not make me happy.
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The background sounds remind me queasily of the "Mickey Mouse Nose" (nitrous oxide, I guess?) used to anesthetize me before dental procedures as a kid.
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Background sounds = microphone into guitar pedal board with plenty of delay.
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Guitar part is me trying out my new looping pedal.
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Same chords as The Classroom. More computer voiceover work. The little pause before "finished" at the end always unsettles me.
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Live drums, guitars, bass, and keyboard. My wife pointed out the similar chord sequence/intervals to "Save Tonight" by Eagle-Eye Cherry, but I think mine starts in Bm, and theirs starts in Am. :)
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Live guitars and bass, programmed parametric drums, and more computer voices. Not referring to a single, specific WETJ - there are plenty of examples. Credit for "Buddha Bubba" goes to the late, great Bill Hicks.
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Looped ambient guitar, plus more computer voices. I really liked the tiny touches of world-weary sarcasm in the second and third iterations.
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One ambient guitar take, plus another computer voice so that I (and you) don't have to hear mine.
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Live drums and keyboard accordion. Our British friend gets in a couple more sentences.
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More DAW plugin drums, live guitar and bass. The computer voiceover artist finally got sick of my crap. May go back and re-record with actual voices at some point, but I appreciate the contempt dripping from this nasty British fellow's every utterance…
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DAW plugin drums, live guitar(s) and bass. I made computer voices say some words so I wouldn't have to.
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DAW plugin drums, live guitar and bass. I don't really hate everything. Mostly just the sound of my own voice.
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Anna H. - piano (I think)
Paul H. - bass (I think)
Kevin Craig - guitar
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Paul H., his dad or father-in-law (neither of us can remember), Anna H., and Kevin Craig - various instruments/sounds
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This is on my Melange album from 1982.Beats were added in 2016
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Dan H. - guitar
Bryan R. - drums
Kevin Craig - bass
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Dan H. - guitar
Bryan R. - drums
Kevin Craig - bass
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John J. - songwriting
Kevin Craig - guitar, bass, drum programming
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