Written and Recorded: Feb 07, 2010 Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks. 2010 RPM Challenge

Fun with live looping and a ring modulator. E minor open tuning improv.

live @ Dunn Bros. 1/29/10 I kinda like how this turned out. The sound at 1:08 is my ebow hitting the floor.

live @ Dunn Bros. in Keller, Tx. 1/29/10 Took me awhile to get my legs here, as evidenced by the sloppy playing. The bulk of this is the tune "Blue Hour".

-------------- Sleep ---------- -Lyrics- I’m in this ancient place of peace... With a Lullaby in me..... But I cannot seem to sleep.... Just a Pill to help me go to sleep ........ This Lullaby in me..... I cant hear...... The sirens…

Decided to finally upload this, warts and all.

Rell Sunn, the Queen of Makaha, was a beautiful spirit and graceful surfer who lives in the hearts of all who knew her before she was called back home.

the scrunching crunch is from a messed up audio pixelating skype conversation with my brother.

I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences. From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…

A compilation from Christmas day 2009. Started at 8pm until 3:30am. Me and my family. Doug - singing. Me and my brother - beatbox. My boxing day was spent adding the music.

Words by Michael Thomas Music by Chris Mitchell & Michael Thomas

Some non-guitar silliness. Every instrument is an iPod Touch app except for the drums which is friend Phil on electronic percussion.

An excuse to use my new octave pedal.

An old scottish song. Also sung by Luke Kelly of the Dubliners.

Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!

Another of [Ronnie's Mixed Bag](http://rekkerd.org/) samples (this one called `120_hollow_01`) and another version of my Reichenbach ensemble for Reaktor. The major difference here is the addition of playback modes and, in this case, the *slicer…

Sometimes love can be a hard bargain. Thanks to Richard Hardrick for the inspiration.

From Music for MOBA: a collection of pieces inspired by paintings from The Museum of Bad Art.

Lyrics: I don’t want to live to see that it’s over But I don’t want to leave before my time. So here’s what I’m gonna do. No, no, baby, I ain’t gonna lose you, I’ll just meet up with you further on down the line. Well I can’t tell myself…

This track is off of the third CD. It was written on a trip that I made to South America. I composed it in my hotel room on a traveling guitar. We heard a lot of tango music that week and while the feel and phrasing was inspired by the tango…

I sent the tracks for this tune to a friend of mine who owns a professional studio. I gave him no instructions on how to mix it, as I wanted someone else's take on the music. He created a very dry, intimate mix, focusing more on the acoustic guitars…

Background Soundtracks for Personalized Super Triliminal Recordings at: http://www.personalized-super-triliminals.webs.com

Another collaboration between me and guitarist Kerry Hoke. Kerry provided me with four guitar loops. I arranged the loops, added some effects, played a sampled upright bass, programmed some drums, and blended it all together.

This odd time signature tune was recorded on September 13, 1991, on a 4-track cassette tape. I imported it into Logic Studio, tweaked the effects and adjusted the levels, and here it is. Instrumentation used: an Alesis HR-16 drum machine, bass…

Another song in the works that I have never been happy with. Now that Mr. Tolar has me feeding raw meat to the Ibanez, this is the result. So, it's either a rocker, or I'm off my rocker! Lyrics: It was yesterday when she said she's leaving…

A soundscape using some new toys. Specifically, CamelPhat, CamelSpace, Alchemy and Max for Live.

Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…