alonetone radio: Popular
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My Strat had a had a few stories to tell, I listened...
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My pal Sam plays drums here, me on the git box
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Love the tones of Ron Wood's early work a lot. Not anything he has played or even in his style.
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Don't curdle the milk or else. Just a quick jam, me on guitars and drums.
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something from back when that I added echoes to and volume to , enjoy
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A track from my second album "The Innocence Of Obsession", more keyboard based than my usual guitar based stuff.
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Guitar/Vocals: Liam Sanders
Percussion: Norm
A song I wrote about feeling undervalued, with percussion from the wonderful Norm.
Lyrics:
I should be more than a Sunday afternoon watching awful films.
I should be more than the shirt you…
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Played on an Italian single manual harpsichord (8', CC-c''').
Sorry about the tuning and the random E that should be flatted.
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Played on a Flemish single manual harpsichord (8+4, GG-d''')
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Played on a fretted clavichord.
Excuse the rough performance--I'm not a clavichordist.
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Played on an Italian single manual harpsichord (2x8', GG-d''').
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This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
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This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
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I wrote this song after hearing about an old medical procedure involving removing a small part of the brain which controlled certain emotions, thus making the patient zombie-like and thought it was an interesting concept. Emotional isolation if…
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this is my not quite 24 hour album. it took me about six hours total to produce. i missed the deadline and my feet hurt.
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the album is about dissolution. not disillusion, hahahahaha
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It's a lullaby of sorts... a fast happy one ;)
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Another song I worked on for Bethan Mathis. She had come up with this funny song, and asked for some music to go along with it. I got a bit carried away, but I think it all works. Since Bethan has recently removed her account, she gave me permission…
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Cello improvisation, with live computer processing and looping, and stolen title.
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A piece constructed from field recordings made at the National Wool Museum in Drefach Felindre. Includes the voice of David Perreko.
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Electric guitar improvisation, with live computer processing.
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Improvisation using sampled toy piano, played via midi keyboard.
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