(Tolar & Savigear 2010)

Performed by Benjamin Fingland (cl) and Sumire Kudo (vc); 28 March, 2010; Tenri Cultural Institute, New York, NY. Notes on the work are found here: http://digressionsthirdman.blogspot.com/2010/03/etude-on-f-113-torino-jii9-qui-moult.html

A rocking blues song about walking away from it all. The sax is from my GR-20 guitar synth. A few smoking guitar solos for fun.

by coheed n cambria .. got inspired my friend erinmarie .. www.alonetone.com/erinmarie

by coldplay

Of all the days I had to get up super early, it happened to fall on the first day of spring. Also known as (fingers crossed) the worst day of spring. I spent part of the early morning digging my car out from underneath the ice and snow. Later…

I wanted to end this years record with a tune I could easily fall asleep to and I asked Peter Dematté to play sax over two alternating guitarchords I recorded. I really love what he came up with and have tried to built it into a stressfree track…

Another instrumental; some nice sounds and additional keyboard by Peter Dematté

Outerspace, indifference?

Speechwriters can be selfish. Or not?

Hunchbacks!

Weird dream...huh...

Cameras in space. What?

This is something that needs more development and absolutely not finished yet. Thanks for listening

Featuring a sweet reference to the Loretto Chapel's mysterious staircase and the most wonderful mylar balloon ever manufactured (with allusion to secret promise attached).

Some Greek mythology 101 with a little incorporation of "All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." - Samuel Beckett

This instrumental song is about the rabbit in the moon. Fact: the ancient Aztecs measured drunkenness in number of rabbits. Like, "Oh, cheg out Bill, he's 300 rabbits." "Dude, I was like 230 rabbits last week and I got kicked out of the Florida…

This is our summer fun jam. We wrote it in February, but that's just testament to our amazing imagination.

see note in mvt. I

I was collecting 4th of July samples and recorded a jewel. By chance, I recorded my 4 year old girl, and you can hear her thought process...wondering how the fireworks were so high in the air - perhaps the fireworks were dropping from the sky…

Recording of birds and other aircraft from my backyard. Plus the National and borrowed mando.

This song was inspired by the heavy rains of the past two days, and my wife and I biding our time waiting for them to subside a bit so we could leave the house. The guitar is my old Alvarez classical with a microphone, then run through my RP350…

Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!

My first album «ZigZag» (2010) : http://www.rhapsody.com/awe/zigzag http://itunes.apple.com/us/album/zigzag/id339433974 http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9

HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?

My latest song, sorta Blues-rock song.

Of the whole album, this is the track I had most fun making. The instrumentation consists of accordion, beer bottle, work desk, toy keyboard, whistling, and scissors.

So-named because it was a last minute addition to the album. I wish I could remember what effects I put on the accordion track to make it almost sound more like a synthesized sitar.

I'm proud to say this is one of the weirdest songs I've ever done. I got some more use out of the beer bottle here, this time hitting it with a pencil instead of blowing on it.

The chorus is adapted from "O Death Rock Me Asleep", by Anne Boleyn, while imprisoned in the Tower of London, waiting for her execution. (Tolar & Savigear 2010)

our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

RPM 2009 entry. Has been described as sounding like Satan's Orchestra tuning up...

It's just a song about stalking a jane doe.