our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

based on the "clique" project first introduced in a long lost forum post on the RPM Challenge forums, the rules were to record a track that was in relation/response to the previous track before it. performers were: jazzsequence, Pugilistas, The…

the method was to record a percussive track (or not) at 110 bpm. it was not required that your track be percussive, but if it was, it needed to be 110 bpm. participants included jazzsequence, Pugilistas and project was orchestrated by The Chaos…

burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…

RPM 2009 entry. Has been described as sounding like Satan's Orchestra tuning up...

Jesus looks at why the Jews and Pilate rejected Jesus as King

I was pretty much trying to be The Field with this one.

This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…

Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.

Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.

I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.

There's no reason for this to be named after the infamous section of craigslist, beyond the song itself sounding sort of sleazy I guess. The ending isn't meant as political commentary, it's just a funny moment I happened to capture.

The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…

Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.

The coda of this was recorded on my mp3 player while waiting for a train. At some point I had this idea that there would be ambient noise recorded from train or bus stations every few songs so it'd sort of feel like you were listening to the whole…

I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.

Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.