i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
You are right on the money for Knife Edge here is a right up I found
"Knife Edge", is based on the first movement of JanáÄek’s Sinfonietta (1926) with an instrumental middle section that includes an extended quotation from the Allemande of Johann Sebastian Bach's first French Suite in D minor,
Cheers mate.
I really like the solem tones you get from your piano. And I wanted to answer your question you left on one of my pieces. I answered before on another one, but I think this site could really use a reply system. For the Hobbit piece I mainly used a sample library called Project Sam Symphobia. The other earlier orchestra pieces mainly used Garritan Personal Orchestra - but I'm trying to branch out and get a bigger more cinematic (and realistic) sound. Glad you like it.
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
Man....amazing take on a classic Richard. Always loaded with emotion. Per you comment on Desert Song, you would have to talk with Djork on the flute, I know a little about his set-up but he was the mastermind on the basic track format. I just added my touch to an already great track. :)
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
beautiful song that captures one of those special moments that find us,, touch us with the magic of family,, well played,, i have missed hearing your music of late Richard
The Hollow Men
Sad Hippie Thing
1993
Greg Melvin: Vocals, Rhythm Guitars, Keyboards
Doug Sparling: Lead Guitars
David Albrecht: Bass
Terry Adams: Drum Kit
All songs written by Greg Melvin
Arrangements by Greg Melvin and The Hollow Men
really cool song,, missed it somehow,, but saw Kirk's comment,, and followed the trail,, your lyrics are really good, and the musical parts are very fine,, well done
Rough sketch of a proposed dreamy 12 string piece that I couldn't pull off on the 12 string so did this quick electric version with vocal pads. Not sure of the recording quality- sounds OK in my cans and kinda crappy on my monitors. Recorded march…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
he's not blown away like a stray star
he's not stolen clean away by a fast car
but…
interesting piece,, i found it drawing me in not by note,, very Bach like in form/feel,, you say improv, is it in fact based on another piece?... in any event it's very pretty.. and does seem very Easterish to me,,, well done your friend R
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
Reg is in the cellar, it's early morning he is back in what seems the inevitable empty bar. To the Barman Reg sings his sad song ........................
i really like the musical underpinnings of this,, this piece has a rich full feeling,, another great story line,, like ive mentioned before, i think your a great story/word smith,,, very nice
you definitely have a new fan here,, well played,composed music all around,, if you have any videos of you preforming, id be neat to post them here,, ps gota love those guitar riffs cheers Richard
This is a short piece written for a friend who is developing a computer game for his degree. It needed to be loopable, hence the abrupt start and finish! Still a work in progress so i'd appreciate any comments about making it better
let see if i can contain myself and say this in a reserved British manner
Wooooooooooooooooooooooooooooooooowieeeeeee!!
guess i can't
anyway a most amazing piece of music,, it's well written,, well,, performed,well mixed wonderful sound quality,, on my second listen,, the lyric quality/style storyline is great,, it's one of those pieces that though is fresh and new, already seems to have a classic feel.. well played
> First there was Spring Time. Then there was Summer.
> Then there was Autumn.
>
> And then there was Winter. Her daddy mowed lawns
> She was a smart little doll
> River loved Winter. His dad was a singer
> But River…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
Chris, pretty nice, nice deep mellow sound on the bass,,,,the voice is also pretty good, i think i like it better than that of symphonic instruments,,,but i have not found myself doing well, ever, when trying to work with solo voice,,, i enjoyed this R
Comments on richardlaceves's stuff
You have a wonderful sense of phrasing.
Just lovely ... pulls on the heartstrings.
Dude . ....... This is stunning....... Such a reflective sound.... Your arrangement sounds like it should have been the definitive one! Sublime!
Beautifully played Richard.
Gorgeous!
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
Again man....amazing
That is some damn fine work there Richard. FAV'D!
Beautiful interpretation. Takes me to a good place.
You are right on the money for Knife Edge here is a right up I found "Knife Edge", is based on the first movement of JanáÄek’s Sinfonietta (1926) with an instrumental middle section that includes an extended quotation from the Allemande of Johann Sebastian Bach's first French Suite in D minor, Cheers mate.
I really like the solem tones you get from your piano. And I wanted to answer your question you left on one of my pieces. I answered before on another one, but I think this site could really use a reply system. For the Hobbit piece I mainly used a sample library called Project Sam Symphobia. The other earlier orchestra pieces mainly used Garritan Personal Orchestra - but I'm trying to branch out and get a bigger more cinematic (and realistic) sound. Glad you like it.
I'm completely satisfied. brilliant.
Ah, cute and pretty.
A most sympathetic variation of this extraordinary piece and so well played.
Mmmm, lovely stuff.
Man....amazing take on a classic Richard. Always loaded with emotion. Per you comment on Desert Song, you would have to talk with Djork on the flute, I know a little about his set-up but he was the mastermind on the basic track format. I just added my touch to an already great track. :)
Thanks for listening and commenting mate cheers.
Very nice.
well done!
hesitating to the point, nice touch, feel and mood...
Comments made by richardlaceves
interesting,, not sure how it makes me feel,, i would like to hear a little more about your thinking for this,, take care R
beautiful song that captures one of those special moments that find us,, touch us with the magic of family,, well played,, i have missed hearing your music of late Richard
very nice
really cool song,, missed it somehow,, but saw Kirk's comment,, and followed the trail,, your lyrics are really good, and the musical parts are very fine,, well done
dreamy, and very pretty,, a magic moment in time
nicely done..
very nice,, this all flows together very well,,,
very cool
daydreams can sometimes be powerful moments,, anyhow, i like this, i can even picture Reg bent over the keyboard,, nicely done
really fine,, glad i discovered this, thanks to Kirk's recent comment,, ive missed hearing your lovely vocals
interesting piece,, i found it drawing me in not by note,, very Bach like in form/feel,, you say improv, is it in fact based on another piece?... in any event it's very pretty.. and does seem very Easterish to me,,, well done your friend R
yes i quite agree,, great song,, music, vocals, arrangement, production all A++ great listen!
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
i really like the musical underpinnings of this,, this piece has a rich full feeling,, another great story line,, like ive mentioned before, i think your a great story/word smith,,, very nice
you definitely have a new fan here,, well played,composed music all around,, if you have any videos of you preforming, id be neat to post them here,, ps gota love those guitar riffs cheers Richard
nother cool pice,, i like the felling of this tune
also very cool
let see if i can contain myself and say this in a reserved British manner Wooooooooooooooooooooooooooooooooowieeeeeee!! guess i can't anyway a most amazing piece of music,, it's well written,, well,, performed,well mixed wonderful sound quality,, on my second listen,, the lyric quality/style storyline is great,, it's one of those pieces that though is fresh and new, already seems to have a classic feel.. well played
interesting song,,,very nice story telling,, i think i'll need to listen a few more times
Chris, pretty nice, nice deep mellow sound on the bass,,,,the voice is also pretty good, i think i like it better than that of symphonic instruments,,,but i have not found myself doing well, ever, when trying to work with solo voice,,, i enjoyed this R