Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-) I kind of think that the way this ebbs and flows is all the structure it needs.

@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.

Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?

This is full of great sounds mate very cool.

Wild sounds ... Great mix

ok....I think I did see that.

If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.

wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?

Reminds me of the voice of Shodan, the AI in the System Shock series of computer games. :)

I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.

I like it....very...interesting..music that creates itself...in a way...

You should develop some iPhone/Pod apps like this. Cool.

The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.

i like the samples u used. What are they from??

I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?

The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.

I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?

http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop

Loving your work with vox!

Great stuff mate this is very cool.

Awesome piece you've made here. So much in it but all blended superbly. I especially love the voices towards the end.

Oh yeah, liked this a lot.

Really enjoyed this piece.

Well you were wondering yesterday how it would come together and I can tell you, it came together great! An amazing effort, bravo!

Half way through and, so far, this has been quite a trip. I love how you have blended ambience and anti-ambience without a huge explosion! It's quite freaky to be surrounded by heavy grinding guitars and know that, just moments ago, I was bathing in a smooth still pond.

Beautiful playing and something reminiscent of Glu about the birdsong & engine noise which works really well here. Kudos!

Full of desolation and dark overtones. Beautiful.

Well... what do you say? I think you have made something very beautiful and involving. I love the way that, at the beginning (especially but also, to a degree, throughout the piece), the whole thing moves as if riding waves. The sounds are interesting but seem to blend quite seamlessly, I think the arrangement is very good. I particularly like the use of resonation, I think it creates a great ambience towards the end of the track. I really wasn't ready for it to end.

You may be surprised to hear it, but I really like this one!

Beautiful.

Strange and understated, I really love this.

Cool sound. More gritty bass which we like :)

Very much. I'd say time well spent. The percussion has a really crisp snap to it that I love (wish I could figure that trick out myself) and everything layers well and sounds great. Kudos!

Like this one a lot, it's got a haunting quality to it.

You asked for criticism but I can't give you any. I can only echo dAb and Sister's comments; this is great.

Thanks again for all the kind words. I think the next piece will be very largely based on vocals, if I can get some more female voices to balance things out!

Love your sound.

You're having wayyyy too much fun here :)

I think the two of you should be congratulated, then taken into care :)

Ah the infamous!