Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Leading edge FX man.
At first it was sort of any way the wind blows, then at 2 minutes I had to close my door because it got spooky in here. I'd like to hear it with other Sandbags type sounds.
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
Yeah, there's a subtle flavour of industrial jazz to this. Makes me think of riding a rickety tram with a host of vampires...only I am also hiding my fangs.
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos.
I have…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
Some experimentation that started with sandbags saying that he was looking for a wood sound. I responded with marimba plus monster reverb... and I quickly noodled together an ambient thing.
I wondered aloud whether I was done or should continue…
Let us celebrate our failures and our successes!
I submit my failure here for consideration.
I actually want to do something more with this just because it's a lot darker than I usually write. Unfortunately, it never turned into something musical…
Alright, so it turns out that I lied.
THIS song is actually #60 of 2009. I forgot about how I turned the instrumental "lucid traum" into the spoken word 'drama' "wake me up" for a class project.
(http://yelyah.com/music/song/lucid-traum…
Yeah, so I finally consolidated my music collection over from my other mac and found my grand total for 2009.
This is my 60th track of 2009.
I wrote my first track for a MIDI class in the fall of 1999 (did I mention I'm a 10th year sophomore…
Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Episode One:
Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…
Awesome, awesome, awesome.
In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level.
I especially love the way you've blended the resonant sweeps with the harps.
Looking forward to future episodes!
So I still hate Ableton Live with a passion for anything piano related. But things seem to go better if I head straight to arrangement view once I'm out of the improvising stage and do my recording there, rather than trying to think that session…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic.
The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure.
Thanks again for your comments folks.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Hi Kirk.
Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :)
I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough.
Lots of things to work on!
Thanks again.
m/
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Yelyah, thank you for the encouraging words.
You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting.
Guess I need to figure out how to take the next step!
Thanks again.
m/
One of four tracks I did for the August 2009 24 hour challenge. This was the first track I did, when I was still fresh.
I'd wanted to play around with Guitar Rig 3 since getting it at the weekend. The guitars are ableton loops mangled with guitar…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Bethan you're very kind to even attempt to listen to this!
The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Comments on Mr Sandbags's stuff
very cool Matt.
Leading edge FX man. At first it was sort of any way the wind blows, then at 2 minutes I had to close my door because it got spooky in here. I'd like to hear it with other Sandbags type sounds.
nice collage collagge? colagge? co-lagde dreamy
Yeah, there's a subtle flavour of industrial jazz to this. Makes me think of riding a rickety tram with a host of vampires...only I am also hiding my fangs.
You seem to be taking a completely new turn in the road these days, my bags. Liking it! And YES, persevere with this compelling, uneasy gem!
Haunting and moody, with wonderful tone and reverberation. I'd definitely love to hear what else you come up with if you do extend on this.
Yeah- this could really go someplace very cool. Like it!
A thing of magnificence, strength and beauty.
I always dig your crazy otherworldly sounds! And yeah, don't hold back on us, keep 'em coming!
Top one mate really cool.
I dig this and really hope you do something further with it (though it's also beautiful just the way it is)!
What a pleasant surprise. I didn't know you had such talented piano fingers. More please..
Incomparable! your always breaking new ground with cool sound.
Incomparable! your always breaking new ground with cool sound.
Great sounds mate very cool.
total kick ass man. Its putting my mind at ease.
That's some wild sounding stuff!
pretty cool man.
Great sounds mate well done.
ooh I like this
Comments made by Mr Sandbags
Well glu nicked all the good stuff with the hint of jazz and Lost Highways references. I can't compete with that! But I enjoyed it none the less :)
Has a certain rawness and grittiness that reminds me of Bukowski's poetry.
Has a melancholy quality to it that I like. What sort of piano is that?
Love this track, more please!
Very nice.
Lovely swirly textures, we like :)
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
Thanks for the kind words folks, much appreciated :)
Love the dark, metallic, and lost textures you got going on here.
Awesome, awesome, awesome. In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level. I especially love the way you've blended the resonant sweeps with the harps. Looking forward to future episodes!
This is perfect Sunday morning music, ethereal, floaty, lovely.
No Logic 9 yet (only a matter of time though I think) but I liked this very much.
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic. The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure. Thanks again for your comments folks.
Hi Kirk. Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :) I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough. Lots of things to work on! Thanks again. m/
Yelyah, thank you for the encouraging words. You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting. Guess I need to figure out how to take the next step! Thanks again. m/
After several listens my only regret is that I can only favourite this track once :)
Bethan you're very kind to even attempt to listen to this! The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
What can I say? This is beautiful and I think I shall listen to the whole thing all over again :)
I'm at 15:00 and it's been great so far.