The product of yesterdays experiments with Metasynth.
I took a few seconds of a Debussy piano piece and imported them into Metasynths spectrum synth where I turned them into a groove which I then filtered in the Filter room.
I imported this…
Halfway through it did feel like it was the intro to something (cue dry ice, big light show, power chord, let's rock... mebbe!)(I think it's the hi-hat that does this to me, it reminds me of a drummer itching to get going)
But, for me, it does actually bring itself to a nice conclusion. Didn't really feel like "petering out" at this end.
Today I decided I would play with the lovely (and free) [Pocket Blakus](http://blakus.com/pocketblakus-192) solo cello.
At first I tried arpeggiating some chords but this didn't work so well with this cello which has a long, heavy, sound that…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
this sounds awesome:
When the input signal from the filter exceeds the gate-on threshold the sampler plays the loop for that channel. When the incoming signal falls below the gate-off level the loop gets released and decays away.
2 minutes into the track and loving it.
Today I decided I would play with the lovely (and free) [Pocket Blakus](http://blakus.com/pocketblakus-192) solo cello.
At first I tried arpeggiating some chords but this didn't work so well with this cello which has a long, heavy, sound that…
Today I decided I would play with the lovely (and free) [Pocket Blakus](http://blakus.com/pocketblakus-192) solo cello.
At first I tried arpeggiating some chords but this didn't work so well with this cello which has a long, heavy, sound that…
The product of yesterdays experiments with Metasynth.
I took a few seconds of a Debussy piano piece and imported them into Metasynths spectrum synth where I turned them into a groove which I then filtered in the Filter room.
I imported this…
The product of yesterdays experiments with Metasynth.
I took a few seconds of a Debussy piano piece and imported them into Metasynths spectrum synth where I turned them into a groove which I then filtered in the Filter room.
I imported this…
The product of yesterdays experiments with Metasynth.
I took a few seconds of a Debussy piano piece and imported them into Metasynths spectrum synth where I turned them into a groove which I then filtered in the Filter room.
I imported this…
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
This is the first track made with my new Reaktor instrument 'Super Scanoid' which might just have well been named '1950s Sci-Fi Soundtrack Generator".
The sounds it makes with this sample (a bouncy pizzicato cello) reminded me of the score from…
This is the first track made with my new Reaktor instrument 'Super Scanoid' which might just have well been named '1950s Sci-Fi Soundtrack Generator".
The sounds it makes with this sample (a bouncy pizzicato cello) reminded me of the score from…
Two guitar tracks, lots of effects and some beer.
For the gear heads, the effects list was:
EHX - Freeze
EHX - Memory Man with Hazarai
TC - Hall of Fame Reverb
Digitech - JamMan Stereo
TC/PGS - Trinity Reverb
xotic - EP booster
NI - Guitar Rig 4
I'm playing with making short animated movies (about 1 minute long at the moment) using ArtMatic and Studio Artist. This is a track composed to go with one of those movies.
It uses an original violin sample from Markus Czwiertnia.
I love the music and tone of this one. The way the opening draws you in, the tension of the strings, and the rising, sucking, synth almost like someone whistling across a wasteland. Yet the strings bring you back! The whole thing is more than the sum of its parts.
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
I agree it's a bit shrill in places. This track is actually one of the few times I've thought I shouldn't just publish but should polish. I often struggle with this feeling and - as with this track - lose.
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Thanks for the positive thoughts. I'm getting some odd distortions on playing here this morning that I didn't notice in the original (esp. since this piece doesn't play "hot"). They're not supposed to be there. Odd.
Comments on Mr Sandbags's stuff
Well done sir
All aflame for the Buzzaz: A torch relay of Metaphobias. Got it.
Awesome, can't say I've heard anything quite like it. It really sounds like something unfolding or slowly expanding itself.
Listening again to this piece. Boat-tastic.
Halfway through it did feel like it was the intro to something (cue dry ice, big light show, power chord, let's rock... mebbe!)(I think it's the hi-hat that does this to me, it reminds me of a drummer itching to get going) But, for me, it does actually bring itself to a nice conclusion. Didn't really feel like "petering out" at this end.
Oh yeah, gorgeous cello sound.
Don't think I'll ever understand this way of making music - but it do make some nice sounds. Cool track.
Thanks for the kind words folks, gave me a lift :)
Not completely daft ;) Awesome track, up there with anything I've heard from the "big names".
Sweet dreams
this sounds awesome: When the input signal from the filter exceeds the gate-on threshold the sampler plays the loop for that channel. When the incoming signal falls below the gate-off level the loop gets released and decays away. 2 minutes into the track and loving it.
I too love that cello sound. nice track.
Love the cello. Interesting sample and treatment.
Classy piece of experimentation. Musically superb but I wish I understood more of how it was achieved.
Very cool overture.
I quite like it too! You're right in that it sounds like the beginning of something else, but very enjoyable!
EEEEEEeeeeerie!
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
Quite lovely!
nicely done!!
Comments made by Mr Sandbags
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
Cool track.
Thanks for the kind words folks, gave me a lift :)
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
Thanks Len. Looks like I have a lot of your uploads to catch up on!
Hmmm listening in headphones there's very little movement which creates a disappointingly static impression. Something to work on.
Thanks guys, inebriated waveforms could be said to be the speciality of the house!
This does have a Sci-fi feel to it. I think it fits right in with Voyager-1 leaving our solar system.
Why thank you all, glad you like :)
Think maybe we should do an extended version one day :)
Ah that last comment was from me, didn't notice I wasn't logged in.
Like it.
Great drone, love the percussion, cool track!
I love the music and tone of this one. The way the opening draws you in, the tension of the strings, and the rising, sucking, synth almost like someone whistling across a wasteland. Yet the strings bring you back! The whole thing is more than the sum of its parts.
Drama is clearly good for you :)
That was really good Steve. One strangeness: the track is listed as being 6:16 long but stops (seemingly naturally) at 5:52.
That was awesome guys.
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
I agree it's a bit shrill in places. This track is actually one of the few times I've thought I shouldn't just publish but should polish. I often struggle with this feeling and - as with this track - lose.
Thanks for the positive thoughts. I'm getting some odd distortions on playing here this morning that I didn't notice in the original (esp. since this piece doesn't play "hot"). They're not supposed to be there. Odd.