I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
With my deepest apologies to Chopin...
This is a very simple experiment in re-synthesis using the MetaSynth 5.3 ImageSynth.
I took Chopin's Nocturn No. 1 in B-Flat Minor and converted it into a spectrogram which was then used to re-synthesize…
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu.
Okay so tukuramu does not mean earth-quake but…
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu.
Okay so tukuramu does not mean earth-quake but…
Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu.
Okay so tukuramu does not mean earth-quake but…
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
I was working on a piano phrase played by Alonetone supremo [Sudara](http://alonetone.com/sudara) (about which, more later).
One of the approaches I took was to load the phrase into the Time Freezer instrument and play it. I kind of got lost…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
First demo of the finished Novaphone 340 Grand instrument (v1.0.4) including some of the sample content that will be released with the final instrument. In this case I used 5 samples of a Reaktor based drone generator by [nofi](http://soundcloud…
I needed 2m02 to finish the album. I was completely spent and without a drop of creative juice left. Just noodling with an Omnisphere patch when one of my cats, Mississippi, jumped on my keyboard and proceeded to walk up and down and sit on various…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
There is stretching involved but not using Paulstretch. I could never make that thing work for me.
With this piece I liked how the click ticks turned into something like breathing.
Come Tomorrow
-
I'm like a tumbleweed, got no roots
I'm like a climbing vine, leaves and chutes
Come tomorrow, I might not be around
Come tomorrow
I'm a reflection, you see me in your mirror
A missed connection, so far and yet right here…
Comments on Mr Sandbags's stuff
enjoyed these - great stuff!!
Strangely beautiful!
Beautiful sounds!
Yes, this is STRANGELY enchanting. I don't usually go for this sort of stuff but I have really enjoyed this!
Dig the cellic flavourings.
Remote echo of the stones, rolling; tide, from under the water...
Super cool. I love the dark tension.
Ambient G-E-N-I-U-S. Cool ending bits.
Desert winds...
Strangely enchanting!
There's gold in them thar waves.
Very cool and fruitful sonic mining. Inspiring.
I could get lost in it too. Nice!
Funny.... I have a feeling this would be the soundtrack of the world if time was frozen......greatly enjoyed.
Nice! Mysterious sounds
Wow! Very cool sounds there!
Ha! This is sweet!
very nice - alien sounds - it should be the world anthem for the spacer world Aurora in Asimov's I Robot series.
Listened to this twice in a row, it has a really nice mood.
nice one!
Comments made by Mr Sandbags
Enjoyed that :)
There's something warm about this despite it being a little disorienting to listen to and, yes, some nice squelchy sounds :)
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
@bethan: probably i need about 50' clearance all around!
Just got around to listening to this and I think your mojo is intact because it's really lovely.
Big noise, I like it!
Growling and full of foreboding. Feel more like hiding behind the sofa than dancing though :)
There is stretching involved but not using Paulstretch. I could never make that thing work for me. With this piece I liked how the click ticks turned into something like breathing.
Lovely to drift along to.
Fun track.
Great track... how many Marlboro's do you smoke to get that voice!?
Great sound mix, love the guitar in there.
Great song.
I'm really enjoying your tracks. Not just the sound but also the kind of relaxed style that seems to totally unlike my own stuff. Excellent.
Love this one, great sound, raw feel, and it that a banjo?
Enjoying your sound.
Lovely, dreamy, sweet sound.
This feels like the soundtrack to "Buck Rogers in the 21st century" re-imagined by Ronald D. Moore. Kudos.