skiks/bruce hamilton's listening history

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max improv + extras
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bit of brightness, it was sort of a new year's fanfare.
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A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
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This is a segment that's going into my piece "The Interview: When Words Fail". It's created entirely from a one second sample of a nervous swallow followed by a mouth click extracted from an interview. Overtones were manipulated to create the…
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I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
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More vocalizing and mashing for the soundtrack for my artist friend's film, "Pattern Pattern." This accompanies a scene of lights flashing in and out of sequence.
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Also for the film, "Pattern Pattern," this goes with a scene of an artist. First you see him up close for a moment. He's drawing. Then you see him walking a distant ridge at dusk.
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Part of an audio sculpture I'm working on that uses the stuff I usually cut out of my radio interviews and turns them into...something new.
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This is a feature I produced for public radio from the Brevard Music Center in Brevard, NC this past July. Listen for the goose.
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