I watch the sun fall into a thousand silent shards.
Blinded, I bask where it all comes to pool.
Suddenly everything's okay.
But they're building right on top of me, and bearing
gifts made out of my own bones.
I hear the broken waves sing…
I watch the sun fall into a thousand silent shards.
Blinded, I bask where it all comes to pool.
Suddenly everything's okay.
But they're building right on top of me, and bearing
gifts made out of my own bones.
I hear the broken waves sing…
The coveting of mystery is not what it used to be.
So silent, we sway as if there was nothing wrong.
So I keep away from me as you get the best of me.
This violent reaction brings longing and painful new poison.
This humbling history is…
The coveting of mystery is not what it used to be.
So silent, we sway as if there was nothing wrong.
So I keep away from me as you get the best of me.
This violent reaction brings longing and painful new poison.
This humbling history is…
We are stolen in both bedlam and peace.
Our riddance is good for queen and country.
Take these pieces and break them into threes.
You slip right out of your self,
and I watch the empty vessel fall away.
We are left holding both the scissors…
We are stolen in both bedlam and peace.
Our riddance is good for queen and country.
Take these pieces and break them into threes.
You slip right out of your self,
and I watch the empty vessel fall away.
We are left holding both the scissors…
This is the title track from our album, and is the counter part to the track, "Watershed." They are very closely related counterparts, and throw hands with each other from time to time. Those were strange and embittered times, birthing some sharp…
This is some great stuff. Sounds like a meld of many of my favorite bands from my younger gen x days, but has enough unique quality of its own to be refreshing and captivating.
This song came about a couple years ago as an acoustic piece, recorded without being fully written. It went untouched and almost forgotten until we started piecing the album together and were looking for a good driving tune. I think we greatly…
The perfect change of gears in followup to the two opening tracks. Wonderfully solemn with enough left turns to keep the listener guessingly engaged. The 3 1/2 minute mark is a spectacular reminder to us not to get too comfortable because shit is about to get real.
Extravagant and clean and practised, oh, so very well,
they pose and fall and knead and climb, unclothed yet practical.
The ceiling sets the scene and I am reminded not to go.
I'm at the mercy of this posthumous woe.
Never seen again…
Thank you, MTC. Strictly speaking, it isn't really a This Caustic Autumn track. I recorded it on my own, but though it was close enough that it could make its way onto this page.
I suppose the description on our homepage here could stand to be updated. TCA seems to be on more than a temporary hiatus. I believe we have disbanded.
However, the Eugene Hammond project I've been working on, though exactly what I want and need it to be, is not entirely fulfilling, and with our without the name TCA behind me, I will be dishing out some more of this brand of music in the coming months. "The New Minstrel," is from an EP I've got just a bit of knob twisting left on before it comes out on revolving door records. I have more up my sleeve beyond that, as well.
Thank you muchly for coming by to check out the fresh post. When the new stuff if complete and fully ready for the light of day, I'll post another track here, and a link to the rest of it.
Extravagant and clean and practised, oh, so very well,
they pose and fall and knead and climb, unclothed yet practical.
The ceiling sets the scene and I am reminded not to go.
I'm at the mercy of this posthumous woe.
Never seen again…
track 5 from Novella Minor. Probably actually my least favourite song on the album. In retrospect, I would like to have replaced it with something different, but it's kind of carved in stone now. I mean, it's not terrible, it just doesn't really…
Track 2 from the album Novella Minor.
Started as an acoustic track that I brought to practice one day, and then it turned into this.
Means to an End
So what's that you're reading?
I promise you, I don't know the name.
I choose between me and…
Oh, nice rhythms happening here.
1:00 mark... heck yes, man. very tasteful indeed.
I keep thinking, "this is my favourite track so far," until the next track starts. These songs are in the perfect order. This album really grows and unfolds and gets thicker and wider and ...
what is happening at the 2:30 mark? That's bloody awesome man. I didn't see that coming. Too good.
YES! That is a really great, looming, oppressive bass line.
Excellent use of winding and interweaving guitar parts, cycling between the wah and clean bits.
The 2:30 mark is great. Really intense. The way that part rolls on until the release at 3:00 is perfect.
Love the way the drums roll in at the :50something mark.
This builds really nicely. Great backward bits too.
Yeah. That's a very nicely laid out piece of music, right there. Excellent come down. That acoustic foundation lick is really infectious.
Extravagant and clean and practised, oh, so very well,
they pose and fall and knead and climb, unclothed yet practical.
The ceiling sets the scene and I am reminded not to go.
I'm at the mercy of this posthumous woe.
Never seen again…
Thank you, MTC. Strictly speaking, it isn't really a This Caustic Autumn track. I recorded it on my own, but though it was close enough that it could make its way onto this page.
I suppose the description on our homepage here could stand to be updated. TCA seems to be on more than a temporary hiatus. I believe we have disbanded.
However, the Eugene Hammond project I've been working on, though exactly what I want and need it to be, is not entirely fulfilling, and with our without the name TCA behind me, I will be dishing out some more of this brand of music in the coming months. "The New Minstrel," is from an EP I've got just a bit of knob twisting left on before it comes out on revolving door records. I have more up my sleeve beyond that, as well.
Thank you muchly for coming by to check out the fresh post. When the new stuff if complete and fully ready for the light of day, I'll post another track here, and a link to the rest of it.
This is maybe the first track written entirely by This Caustic Autumn as a group effort. I'd been to see Sigur Ros play at Massey Hall in Toronto the night before we wrote this, so that's where the idea for the bowed Les Paul came from. Other…
This is maybe the first track written entirely by This Caustic Autumn as a group effort. I'd been to see Sigur Ros play at Massey Hall in Toronto the night before we wrote this, so that's where the idea for the bowed Les Paul came from. Other…
I'm pretty new 'round these parts and am still trying to figure things out. I don't seem to be able to respond to particular comments, so I'll give a group thanks to everyone for taking the time to check this song out and leave your mark.
Yes, these is some clipping. This actually isn't the version I meant to upload but once I got it up I figured I might as well leave it, but yea, the clipping is a pain in the ears. The over version, I believe, is clipless.
Thanks again,
-Rain Fice,
This Caustic Autumn
Comments on thiscausticautumn's stuff
Intriguing lyrics. Dig the rift.
Great Lyrics... Very Conscious.
cool track
2:48 mark. Yep. Nice
Love the phrasing and time
keep rockin´man!!
This is some great stuff. Sounds like a meld of many of my favorite bands from my younger gen x days, but has enough unique quality of its own to be refreshing and captivating.
John Cleese put it best: "And now for something completely different". Works nicely as a segue into "Take".
The perfect change of gears in followup to the two opening tracks. Wonderfully solemn with enough left turns to keep the listener guessingly engaged. The 3 1/2 minute mark is a spectacular reminder to us not to get too comfortable because shit is about to get real.
Thank you, MTC. Strictly speaking, it isn't really a This Caustic Autumn track. I recorded it on my own, but though it was close enough that it could make its way onto this page. I suppose the description on our homepage here could stand to be updated. TCA seems to be on more than a temporary hiatus. I believe we have disbanded. However, the Eugene Hammond project I've been working on, though exactly what I want and need it to be, is not entirely fulfilling, and with our without the name TCA behind me, I will be dishing out some more of this brand of music in the coming months. "The New Minstrel," is from an EP I've got just a bit of knob twisting left on before it comes out on revolving door records. I have more up my sleeve beyond that, as well. Thank you muchly for coming by to check out the fresh post. When the new stuff if complete and fully ready for the light of day, I'll post another track here, and a link to the rest of it.
Great track, glad to see a new one up from you guys.
fucking love this song you should add the vocals to this version
Night, rain. The crime scene. He did not come back.
Dark tones but a good one.
kind of nerosis-ish also....like it.
Really diggin your stuff here guys, i'm going to have to put it in my car and jam on it a little louder.
Pretty sweet....have you heard of Jesu? kind of reminds me of them.
Wish I had hair. Good one.
Nice one mate I enjoyed that.
Another crackin track!!.
Comments made by thiscausticautumn
Your acoustic tone is really nice. What kind of guitar is that?
Oh, nice rhythms happening here. 1:00 mark... heck yes, man. very tasteful indeed. I keep thinking, "this is my favourite track so far," until the next track starts. These songs are in the perfect order. This album really grows and unfolds and gets thicker and wider and ... what is happening at the 2:30 mark? That's bloody awesome man. I didn't see that coming. Too good.
YES! That is a really great, looming, oppressive bass line. Excellent use of winding and interweaving guitar parts, cycling between the wah and clean bits. The 2:30 mark is great. Really intense. The way that part rolls on until the release at 3:00 is perfect.
Love the way the drums roll in at the :50something mark. This builds really nicely. Great backward bits too. Yeah. That's a very nicely laid out piece of music, right there. Excellent come down. That acoustic foundation lick is really infectious.
That was me, btw. Forgot I wasn't signed in. hahaha.
Thank you, MTC. Strictly speaking, it isn't really a This Caustic Autumn track. I recorded it on my own, but though it was close enough that it could make its way onto this page. I suppose the description on our homepage here could stand to be updated. TCA seems to be on more than a temporary hiatus. I believe we have disbanded. However, the Eugene Hammond project I've been working on, though exactly what I want and need it to be, is not entirely fulfilling, and with our without the name TCA behind me, I will be dishing out some more of this brand of music in the coming months. "The New Minstrel," is from an EP I've got just a bit of knob twisting left on before it comes out on revolving door records. I have more up my sleeve beyond that, as well. Thank you muchly for coming by to check out the fresh post. When the new stuff if complete and fully ready for the light of day, I'll post another track here, and a link to the rest of it.
Great album, all together. I think Caterpillar Podium is my favourite, but the whole project goes as one perfectly.
Beautiful, clever lyrics.
Bah... don't edit yourself on my account. Those are some nice fucking compliments. I'm really glad you've taken such a liking to our sound.
I'm pretty new 'round these parts and am still trying to figure things out. I don't seem to be able to respond to particular comments, so I'll give a group thanks to everyone for taking the time to check this song out and leave your mark. Yes, these is some clipping. This actually isn't the version I meant to upload but once I got it up I figured I might as well leave it, but yea, the clipping is a pain in the ears. The over version, I believe, is clipless. Thanks again, -Rain Fice, This Caustic Autumn