electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3.
Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things.
Great vocal on this tune,i'm impressed.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
We went to visit my dad at his assisted living facility and they have a Yamaha Clavinova on which I improvised for a half hour to provide some entertainment. This is a ~ 3 minute excerpt from about half way through. This was recorded on my Zoom…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country…
Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
it's one of these songs you'd wish they'd go on and on.. most excellent!
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3. Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Damn! That guitar work is as raw and tortured sounding as it gets. Very cool! I'm gonna go rub some salt in an open wound now!
:)
Rrrrrrr!!!!! You're a growly lover! Buddy would be proud. :-) This is the definitive AT cover, guys. Chris's vision, as it should be! Nice one!
Gritty, raw, cool Tramp tribute. I think the fretless guitar is excellent. perc matches the raw feel.
There's certainly a kernel of something really good here. I'll stay tuned!
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things. Great vocal on this tune,i'm impressed.
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
I'm digging this raw riff, actually the whole piece is raw...nice!
Nice tune, sounds like Jimmy Page material
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country… Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Everything I like. Distorted guitars, solid bass line, serious percussion, Hardly a train wreck Sir. It rocks.
Perfect ending!!
Damn, you parked this one right in between the flats and sharps. There's a lot to listen to.
If I lived closer to you, I would drag a couple conga drums along and join you at the retirement facility! Very honorable!
I love that you take the time to entertain people who may not otherwise get the opportunity. And a fine performance too!
Recorded great for live , well done.
The residents are really lucky to have your dad with them - look at the perks they get.
nice sound, nice improvisation! thank you Vaisvil
Comments made by vaisvil
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.