electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
cool. I like your range of work (a fellow eclectic).
re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
Ten Years After cover performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Cool high-energy take w/ plenty of guitar solos. Decent…
This is the first of two demo's I made to consolidate my ideas about an album that I am working on for the Clinical Archives netlabel. The piece is fully improvised.
I am recording two albums for Clinical Archives, the first is to be released…
Here is my latest song, I was playing around with my Tele into my Adrenalinn III pedal with its beat sync'd effects which gave me some of the sounds here.
Comments on vaisvil's stuff
Wild tones , I like.
Enjoyed that.
great tune! i like what you did with those instruments on this one.
Think you can safely say the mandolin works, guv! The vocals are also fully functional (if a little quiet?). Cool!
This is excellent. Love it!
oh yeah!
cool. I like your range of work (a fellow eclectic). re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
How come i never heard this one before? this is great stuff vaisvil.
hell ya! i like the groove and what you did with your Fretless Guitar...
very cool. I've gotta come back and check this out in its entirety. Illegal Alien
Phantasmagoric!
interesting...
visceral and compelling
that's a cute baby. very fng! JRR
Mr.Beanie Baby?
This sounds like it could be a lost song from "The Cooler" soundtrack. I dig it!
i wonder where you recorded this sample, really smooth and atmospheric!
hefty piano work. lovely.
I'm always learning from you. Thanks man.
Beautiful... Non-dominant 7ths or otherwise.
Comments made by vaisvil
rock n roll!!!
very cool track!
alright!!! great work as usual!!
oh yes this is lovely.
excellent!
I think I like this one the best out of the bunch - especially during the choir.
crazy trip through a negative universe!
truly wild excesses of sound!
I really like this!!
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
Great composition!
excellent!
excellent!! I love this kind of music!
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
very spooky indeed! nice composition
great!
most excellent sir!! most excellent!
love it!
excellent classic rock song, especially liked the leads
interesting minimalism