This was my sophomore year final project when I was a classical guitar major for two years of my life. I managed to sneak in my strat in this though :-)
For Bass vocal / speech contrabass bowed and used as percussion, piano, electric guitar…
This was my sophomore year final project when I was a classical guitar major for two years of my life. I managed to sneak in my strat in this though :-)
For Bass vocal / speech contrabass bowed and used as percussion, piano, electric guitar…
3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
this has the crackling static like sound ,,, I usually try to adjust my levels to keep things like that from happening usually when I saturate the sounds or it is just too loud and such... but here it is so cool,.. I remember when I used tape hiss as part of my song. mmm a lot of songs well most all the songs on tape that I could not filter the hiss off ... :)
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments:
This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Backyard Ghost sent me something to work on...i added my own touch and arranged it...i sent it to him and he added another of his touches and rearranged it and You've Had My Tears is the end result...we both love this collaboration...expect more…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Comments on vaisvil's stuff
Is that Paul Roberson that’s one hell of a voice
oh gosh that is way intense ... I really like songs like this..
Fantastico!
And we have all we need to be who we are now. Great great work 💯👏 👍
Great song, vocal delivery and guitar.
Quite lovely!
Just what Marty needs; a touch of psychedelia. Really lovely.
Well done !
Wow 🤯😳😲
Excellent pretty ☺️ the stereo separation is the best 🙂... It's good 💯😊
I'm going to need more of a clue than what you have typed to explain the song??
Feels like blasting off to 'Lost in Space' and lovely when the electric piano like keys come in!
it is a kinda march too ---
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Dreamy...drifting away on vaisvil clouds... Sounds like flowers opening.
an excellent ominous soundscape
this has the crackling static like sound ,,, I usually try to adjust my levels to keep things like that from happening usually when I saturate the sounds or it is just too loud and such... but here it is so cool,.. I remember when I used tape hiss as part of my song. mmm a lot of songs well most all the songs on tape that I could not filter the hiss off ... :)
I was listening to Delia Derbyshire all morning and this just fit right in.. excellent work here.
Yeah, cyberspooky
Spooky
Comments made by vaisvil
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
this is wonderfully sad and mysterious!
beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!
Excellent!!
Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.