This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
instantly intrigued, where are we going?
Bass line ,my favorite eq spectrum
Vertical, Linear, melody moves.
Oh yah, The peaty moores, of Hounds of Vaskerville.
Hello Dr. Watson,
Holmes ,Sherlock Holmes
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
This is a 19 note per octave solo electric guitar improvisation played in classical guitar format recorded in Sonar X1 with Guitar rig and Lexicon reverberation. Makes it hard to classify for what audience would want to listen to it I guess. The…
Goodness knows why it got me thinking about Bomber Command WWII.
As you know, I do not get ambient tracks, but I was playing solitaire here on the laptop while listening to this epic and I really enjoyed it.
I liked the 10 minute mark where we had a different texture for a while too.
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Comments on vaisvil's stuff
I like it. It reminds me of Aaron Copland. I can see using something like this behind a video, or a mood setter in a collection of musical pieces.
sweet stuff here.
Twinkly, sparkly and mysterious!
Ooo, and a tinkly one too! Merry Christmas Chris!
Lovely Christmas feast of harmonious goodies!
up earlie and now very Christmassy .......thanks
music do wonder great job CHris
instantly intrigued, where are we going? Bass line ,my favorite eq spectrum Vertical, Linear, melody moves. Oh yah, The peaty moores, of Hounds of Vaskerville. Hello Dr. Watson, Holmes ,Sherlock Holmes
Love the percussive elements - this is like the windchimes of the supernatural.
Lots of energy right there. Jammin'
Wild stuff! Nice!
Man this is really killer guys. I am diggin the 12 string additions and well actually everything about the track. SWEET!
Oh brilliant! Wildly exotic! Great chemistry fellas!
Instantaneously loved it.
I really enjoyed this track. What a great sound guys!
great collab gents.......I feel a song coming on .....,love the Indian vibe running through......
You always come up with something different. Well played!
Damn- I can hear some really delay drenched psychedelic guitar over this. Very cool!
Weird title! This has a most Middle Eastern flavour. Nice vox there Chris. Sounds authentic!
Goodness knows why it got me thinking about Bomber Command WWII. As you know, I do not get ambient tracks, but I was playing solitaire here on the laptop while listening to this epic and I really enjoyed it. I liked the 10 minute mark where we had a different texture for a while too.
Comments made by vaisvil
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!