well it sounds like its been a night for the clinking of ice in glasses,,, gotta say that photo is making me a bit thirsty.... this piece has a rich texture to it
I plugged my Fender Mustang directly into the Zoom H2 and monitored with head phones while sitting on my bed and played around. This is a compressed version of one of the things I did. I've been pretty sick the past few days but I needed to…
This is a musical setting of Bruce Andrew’s poem “jjj†from his book “Moebius†thanks to PennSound archive.
To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…
This is a musical setting of Bruce Andrew’s poem “jjj†from his book “Moebius†thanks to PennSound archive.
To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…
This is a musical setting of Bruce Andrew’s poem “jjj†from his book “Moebius†thanks to PennSound archive.
To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…
This is a musical setting of Bruce Andrew’s poem “jjj†from his book “Moebius†thanks to PennSound archive.
To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
I went out during cover of night (to avoid looking like a total crackpot) with a violin bow & Zoom H2 digital recorder and bowed various things in the neighborhood. This is the best - a beautifully resonant 4-way stop sign.
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Comments on vaisvil's stuff
cool
Whoa, seriously good. What a beautiful tone too.
well it sounds like its been a night for the clinking of ice in glasses,,, gotta say that photo is making me a bit thirsty.... this piece has a rich texture to it
Great job mate excellent really dig this sound
Very cool mate nicely played. Great tone on the piano great track.
Quite captivating! Reminds me of the Rocky Movies for some reason. Guess thats why I like it!! Sweeeeet!
lazy, mellow, melodic, musical journey,, very nice,, i hope you are feeling better soon, R
cool feel , different flavor with the mixed instruments Love the pic too
what a fun listen
Great percussion!
Cool beats and awesome phantom flavours..! Dark...midnight shipwreck dark! Now I want to go wrecking.
is this what they call post-psych-rock? Whatever it is it's great!
Nice one mate and very interesting.
So how does the harmonic series filter work? Does it just allow one to hear the lowest A, E and next to the lowest B? Wild stuff!
Nice transitions and enjoyed reading about your methods.
Some lovely melodic strands in here - love the sound of the dulcimer.
!!! Incredible!
Oh yeh love a fretless bass Very cool. And thanks for your recent comment.
Wow nice ride...the bass, guitar and Sonar percussion all blended in right.
Cool electronica! 0.57721566490153286060651209008240243104215933...
Comments made by vaisvil
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.