Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Great, big, edgy perc! Very crunchy!
Beautiful.
Yes, I had never heard of that either. Well done!
Nice, very Bush of Ghosts sounding. Interesting comment, I was not aware. Kavin./Breaking Light/Coelocanth
I'm improv all the time except for a few riffs sometimes here and there.
That was wacky. However, I do get along with the sky people.
Spellbinding!! A Wizard with water....... Awesome arrangement.
Brilliant production!
Like dripping water trough a back cave...mysterious sounds!
Great sounds!
Psycho-delicious!
Holy haunted aquariums! This is scary and pretty AT THE SAME TIME.
i really enjoy your work,,,this is a very fine sound land, a treat for my ears and more
Video dare I say? there are images here I used in the words possibly "killing for peace" like concept.
Mindbending.
Man this is genius! Wow the atmosphere and all the other elements are are blended in perfectly with the bile lyrics! Kudos!
WOW! Impressive piece of work that is!
Mighty and magical!
man, what a powerful sound. Cant help but think of Jim Morrison a bit with the lyric inflections.
such a powerful sound, I really like this.
Comments made by vaisvil
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?