electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
cool. I like your range of work (a fellow eclectic).
re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Not sure where I was going with this, but it ended up quite dreary for what I thought were quite motivating lyrics.
Watch this space, it may well appear again with more upbeat music.
Lyrics:
I choose the light to drive away the darkness
Choose…
Garn/Landry (And I barely deserve any credit for this one at all)
A while back, Jim recorded a rough version of this song, and upon listening to it, I was thrown back to a day from my youth. While vacationing in Vermont, a small twister throwing…
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
still raining so the £16 special came out.......
Around & Around (Lyrics)
Now you are my lady and i’ll never understand why you had to runaround with that other man
you know you’d send me crazy you know that i’m not sound when you leave me…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
this is the conglomerate of the fifth song or first song from the mindtrip album that is about 4 min long and was stretched to 1 hr and 17 sec with the center cut out and posted here :) Thanks paul for the the stretch program.
this is the conglomerate of the fifth song or first song from the mindtrip album that is about 4 min long and was stretched to 1 hr and 17 sec with the center cut out and posted here :) Thanks paul for the the stretch program.
The reunion was on...they came from far and wide....it was held on Easter Sunday down at.....the new cellar of Regs...chiseled in to the Yorkshire Granite ....sound proofed....bomb proof.....as they say it started with a beat...everything was…
Comments on vaisvil's stuff
Wild tones , I like.
Enjoyed that.
great tune! i like what you did with those instruments on this one.
Think you can safely say the mandolin works, guv! The vocals are also fully functional (if a little quiet?). Cool!
This is excellent. Love it!
oh yeah!
cool. I like your range of work (a fellow eclectic). re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
How come i never heard this one before? this is great stuff vaisvil.
hell ya! i like the groove and what you did with your Fretless Guitar...
very cool. I've gotta come back and check this out in its entirety. Illegal Alien
Phantasmagoric!
interesting...
visceral and compelling
that's a cute baby. very fng! JRR
Mr.Beanie Baby?
This sounds like it could be a lost song from "The Cooler" soundtrack. I dig it!
i wonder where you recorded this sample, really smooth and atmospheric!
hefty piano work. lovely.
I'm always learning from you. Thanks man.
Beautiful... Non-dominant 7ths or otherwise.
Comments made by vaisvil
and your grapics are stunning!
delicious!
nicely done! Love the vocal harmonies!
Thanks for listening. It is a 12 tet steel string acoustic guitar harmonically filtered with D 36.8 Hz as the root. So I'd say its harmonic series.
oh vocal harmonies to die for....
excellent!!
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Desiree is back? Awesome tune!
excellent doodle!
Santana!!
I may try to add to this. Nice of you to offer that to all of us.
spectacular!
Lovely idea! Excellent vocals!
this is excellent! Nailed the leads!
yes!! Lovey!
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
ah this is intense!!
I take it this is with Paul's Extreme Stretch - I'm a big fan of what can be achieved with that software with the right input. I am enjoying this !
thank you for the listen and comment on Dedication. I am pleased you liked it so much!
great!!