Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Vaisvil's response to my question was enlightening: wild stuff!
"well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time.
So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
Year: 2009
Album: brave new world
This morning coffee cup upload.
Artist's description: Performed synth composition with samples added
Contributors:
Patrick Trotter painted the song icon
Please support the visual artist by visiting…
Year: 2009
Album: brave new world
This morning coffee cup upload.
Artist's description: Performed synth composition with samples added
Contributors:
Patrick Trotter painted the song icon
Please support the visual artist by visiting…
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
very nice,, i like the relaxed feeling of "just" playing,, i assume this was improv? it has that feeling of freshness of someone (with talent to be sure) just out having a good time.... again very nice R
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Comments on vaisvil's stuff
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
You actually tune the Fender Mustang to the Sorog tuning, right?
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
Whew! That's a dandy production right there. Some great changes and that piano is sterling.
I still love it.
Wow, this is...wow.
My goodness, this is tremendous. The sheer scale and talent has me floored. Fantastic!
A great listen - Perfect buildup and rush.
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
Quite a trip. Very Nice!
Awesome. Illegal Alien Autopsy
Cool composition - like the last 15 seconds especially.
Oooo, like it! w;-)
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
it's very good!
very nice as usual!
take me to your leader!!!! well done Chris,, i had a lot of fun listening to this
very nice,, i like the relaxed feeling of "just" playing,, i assume this was improv? it has that feeling of freshness of someone (with talent to be sure) just out having a good time.... again very nice R
Comments made by vaisvil
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)