This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
Frozen eyes....
and like the wail of a crying child...
she grieves for what is lost to her...
finding solace in a shared moment....
she absently brushes the thought away....
there is no beauty in the sky....
or warmth on her face…
I sometimes struggle to understand some of your posts. That's my problem not yours but every so often you play a piece that can emotionally move mountains. For me this is such a piece. Bravo
Cool Chris,, almost a bit baroque at times, i like it,, love the photo,, but is this in fact a raven? ours out here in the west do not look like such,, my bests r
Beware of following the link in the about while listening to the track!!!
It was 3 minutes before I realised I was listening to two things at once lol. I was thinking "this one is far too complex for me".
Now that I've listened to the solo piano - very cool piece :-)
interesting,, i was watching the video,, pretty creative,, sometimes i feel like an over seas visitor, as i listen to your music,, not sure i always understand,, but i always find it interesting and a bit mind enlarging,, happy friday r
or is this part of that cognitive science in psychological meanings.. either way it is really interesting musics most random and good.. Oh and thanks for the complement on the piano playing. :)
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.
Just another time traveling love song from your ole Uncle Paul.
Mostly MIDI synths and some analog bass and screaming Ibanez.
Drum loops too. I was going to drum it, but these two loops really kinda drive it along.
Enjoy.....
filled…
Comments on vaisvil's stuff
Very nicely composed :)
this fits my sunday night quite well, youve got a nice since of timing/ spacialness here,,
very nice.
Brillliant.
Haunting.....
reminds me of early Doors
most desolate indeed,,,,also most interesting,, r
Such desolation...
I sometimes struggle to understand some of your posts. That's my problem not yours but every so often you play a piece that can emotionally move mountains. For me this is such a piece. Bravo
Cool Chris,, almost a bit baroque at times, i like it,, love the photo,, but is this in fact a raven? ours out here in the west do not look like such,, my bests r
Beware of following the link in the about while listening to the track!!! It was 3 minutes before I realised I was listening to two things at once lol. I was thinking "this one is far too complex for me". Now that I've listened to the solo piano - very cool piece :-)
Wild......from a phone.
Wonderful inventive track!
interesting,, i was watching the video,, pretty creative,, sometimes i feel like an over seas visitor, as i listen to your music,, not sure i always understand,, but i always find it interesting and a bit mind enlarging,, happy friday r
Yeah buddy, me like.
I feel I've just been dragged screaming & kicking through the workings of your inner mind and spat out at the end.......Wild collab!!..........
Very cool sounds!
or is this part of that cognitive science in psychological meanings.. either way it is really interesting musics most random and good.. Oh and thanks for the complement on the piano playing. :)
Question, is this part of the anti-harmony movement occurring in noise art?
To be sure, to be sure
Comments made by vaisvil
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.
sounds like my ferrets playing!
excellent!
yes! love the sounds here
this is nice indeed!!
one of my personal favorites too :-)
Dude! You own this place!!
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.
I'll see what I can up with.
nice work!!