i never want to see Desirea again.....she's hurt me for the last time....thanks Chris & Norm for getting her out of my system once and for all..............
I hijacked Norbert Oldani's excellent piano improvisation and add some guitar to it.
His original is here: http://dl.dropbox.com/u/5150711/PianoI911.mp3
Killer Chris. It should be played on a rooftop, really loud into the streets below. Kind of like the solo in "the crow"...just not as cheesy ...and in 19 edo ;)
I salivated over this $3,500 guitar last night. I had the "expensive guitar room" at Guitar Center to myself so I played and recorded on my zoom H2. Yes, this is guitar p0rn...
I salivated over this $3,500 guitar last night. I had the "expensive guitar room" at Guitar Center to myself so I played and recorded on my zoom H2. Yes, this is guitar p0rn...
I hijacked Norbert Oldani's excellent piano improvisation and add some guitar to it.
His original is here: http://dl.dropbox.com/u/5150711/PianoI911.mp3
I hijacked Norbert Oldani's excellent piano improvisation and add some guitar to it.
His original is here: http://dl.dropbox.com/u/5150711/PianoI911.mp3
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Great collab dudes excellent work.
magic sounds like its got some cream in it too, magic vox reggies and loving those beats
Ya nailed it , great tune.
hold me up with a cane
Uh, Reg, we have heard this before from you. I hope for your sake that you have finally learned your lesson.
Reg has some of the best advise regarding "hate" that I have heard for awhile. Don't be a hater!
i never want to see Desirea again.....she's hurt me for the last time....thanks Chris & Norm for getting her out of my system once and for all..............
Pure escapism! Very wonderful, gentlemen!
Wow guys, that was great!
How have you done those Drums Chris ?
I think I know those girls :)
Conjures up fabulous images, and reminds me of my student days. :)
An original enjoyed the contrast between the instruments and both well played.....bravo
Oh dear, what a sorry sight! The very bassy notes at the end are emotive, they are like hopelessness.
Killer Chris. It should be played on a rooftop, really loud into the streets below. Kind of like the solo in "the crow"...just not as cheesy ...and in 19 edo ;)
sweet guitar, sounds like it was tuned in G.
**Don't pull the frets off of this one, Chris!**
Very original. :) And yes, great playing.
19 edo sounds very melodious to me. Nice work!
Great playing mate very cool.
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?