What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
I am a member of ImprovFriday which has been occasionally mentioned on this mailing list http://improvfriday.ning.com/
- which is a site devoted to improvisations, instant composing and mash ups / re-compositions.
People submit individual…
12 string improvisation - vaguely in an eastern Indian mode.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
Hiding April is a programmatic electronic piece that uses the hardware Korg MS2000 and Absynth 5 software synthesizers and orchestra percussion from Garritan Personal Orchestra. At about 4:10 I found an aircraft-ish sound on my Korg which then…
This is a solo classical guitar piece in 12 equal. The recording was produced by playing an Epiphone C70CE through a Marshall amplifier's clean channel with reverberation and recording with a Zoom H2. Minimal post - processing was done to the…
Genre:
Rock/Pop: Hard Rock
Year: 1987
Album:
Modern Clones
Artist's description:
A Fool's Paradise
They say, Hey Look!
The armies are receeding!
Times are changing
Can't you feel it in the air?
Its Just Fool's Paradise…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Comments on vaisvil's stuff
It's great to hear that you are doing better! Cool piece.
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hope your doing better Chris.Very nice piece you have here.
Different goodie
That was real cool. Excellent vocals
Very different mate cool.
Crazy-ness....
Intriguing piece. Bits of it remind me of everything from Gershwin to Kansas!
Wonderfully done!
It's deep, it's blue, it's deep blues. Whatever that is? This is Jammin'
Nicely done mate.
Pretty cool stuff man.
Yeah, I love the Sitar and Indian music too. I have a feeling Geir plays one!
Oh, what did he know!! This is Blues!
Wow! Soundtrack to approaching Jupiter!
Eerie and delicate!
Love your vox here - great rocking track!
like it:)
Sound like an intro to a triangular story:)
You sure do now!
Comments made by vaisvil
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!