One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
The husbands point of view to this one http://alonetone.com/thetworegs/tracks/your-never-too-old-to-be-a-fool-w-the-old-grey-wolf..... Well Reg has taken on the part of the wronged husband and has been dwelling on his problems all day and now…
Well it's hit poor old Reg hard today that it's finally over between him and Desirea so he's written a blues song to exorcise his pain........I've actually tried to put my own drum beat down on this one by using the keyboard as my drums and working…
This one is for a fest over on Songcrafters called Live in the Living room. I've been trying to play it properly.... seems for hours but my fingers hurt so much i've thrown the towl in and this one will have to do until i can play better…
My Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 mic behind the amp and Zoom H2 in front - dropped the tracks into sonar and panned a bit. I also midi recorded the guitar and used the midi to drive upright bass, albino…
Vocals, bass and acoustic guitar by Dave Tanner.
Drums, keys, lead guitar studio production by Aaron Crawford.
Recorded and mixed Sept. 6 and Sept. 13 at Resistance Recording. Engineered by Aaron Crawford
from the album "Sunny, sorta…
After the other Reg knew that i found out about his affair with Desirea he's done the right thing to save thetworegs and finished with her, he wanted Elvis to help him out on this one he wouldn't he was a little upset at his behaviour. So the…
Well tonight we have Mr. Waites in the cellar only for one song but oh what a song it was he sang it for us to celebrate our new single life and to express where our love for Desirea was .......in the Cold Cold Ground......... (They dropped the…
After the other Reg knew that i found out about his affair with Desirea he's done the right thing to save thetworegs and finished with her, he wanted Elvis to help him out on this one he wouldn't he was a little upset at his behaviour. So the…
The passport, acapulco and finding out about the affair with Reg was the final straw ithe saga of Desirea and Reg is finally over Reg has drawn a line in the sand and stepped over it. It over and done he washes his hands of her. So he went out…
since johnny's death experience on alonetone he has realised he has special powers not only can he recreate any song that's ever been made but he can now transcend consciousness and appear anywhere in the world that he wants too and tonight he…
since johnny's death experience on alonetone he has realised he has special powers not only can he recreate any song that's ever been made but he can now transcend consciousness and appear anywhere in the world that he wants too and tonight he…
This was going to be a re-make of Dancing on my own but reg was too busy to participate so i have used Norms percussion track and got Chris Vaisvil to bass it up and i have added a vocal creating something new. Reg has had a lot of trouble with…
After the damp squib of a start to the party it eventually got started and what a party it was........you should have been there....the whisky started to flow......it must have been the most debauched night down the cellar yet…
Reg will just not listen not only have Chris and Norm told him but Elvis Jim and Louie all had the same advice..Forget her....move on but he is going against all the advice. He just can't get Desirea out of his mind, he loves her. He's trying…
Reg will just not listen not only have Chris and Norm told him but Elvis Jim and Louie all had the same advice..Forget her....move on but he is going against all the advice. He just can't get Desirea out of his mind, he loves her. He's trying…
Peter bought the old grey wolf down the cellar and Humphrey had to go and chat to him and tell him about his day. This is the story he told him...................
YOUR NEVER TOO OLD TO BE A FOOL
It’s 7.55 and the doors just opened. She’s giving…
Comments on vaisvil's stuff
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Comments made by vaisvil
There ain't no one worth that.
yes! Nice gritty blues!
I don't hear anything amiss with your playing. Your vocals are as usual awesome.
speak up Norm I can't hear you!
the production is totally spot on - love the lyrics and music. I didn't know what the Angie Fights Crime project was about - I was missing out.
Enjoyed the music - great recording and song!
Desiree - I don't want to be just another notch on your lipstick case.
excellent!
nicely done! Naw she don't want me.
I'm just stunned at your Robert Plant voice in this. Wow.
maybe its for the best it didn't work out Reg.
Reg - you did awesome vocals on this!
rocks!! I gotta get to your cellar - but would your crowd throw stuff at me if I played microtonal blues?
Here, Ladies and Gentle, and Desiree too, is a man who has gone totally off the edge of reality and is in a basket with a case number...
I had missed this one! Cool!
rocks!
damn - the room is spinning!
If we don't watch it Desiree will break up the band!
It isn't love Reg - it is apparently an addiction!
wow - what a novelette!