Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
Last one to upload today (probably)
Year: 1977
Album:
Classical Clones
Artist's description:
Something I found on tape - the best of the 6 pieces.
Me preforming a Villa Lobos piece about 1977 - a recording made while preparing for a recital…
I like IT!!!,, very nicely played, also you continue to amaze me with your production intensity, ah i hear Pyewacket,,, mine Dachshund Howie,, has a particular habit of howling whenever i play Bach,,, it's sort of funny (to me at least) i have thought of making a video of he and i in duet,,, anyhow well played friend
This is a combination of field recording, slicing up a guitar performance into loops, using loops and effects that came with Sonar X1 in Sonar's matrix view with a bit of editing of the matrix performance.
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Comments on vaisvil's stuff
Excellent.....love the feel of it....agree with Kavin a great 60's psych feel
Lovely!
Very revealing!
nice!
fun bubbly lite piece,, i enjoyed listening
One of the nicest guitar sounds I've heard in a while. Nicely put together
At the risk of dating myself, this reminds me of the Small Faces..which is good. It has that 60's psych pop feel.
Good mix. The whole track comes together very well.
Nice one. Sure was a sad day.
I'm with 2monktup1!
interesting and cool as always
I think your vocal is perfectly good - lovely interpretation of a fine song!
Dreamy...sweet...heartbreakingly beautiful. (Perfect image.)
Nicely done!
Good one Chris. Creditable vox too!
pretty creepy. But cool.
Nice one mate
....but enjoy I did !
I like IT!!!,, very nicely played, also you continue to amaze me with your production intensity, ah i hear Pyewacket,,, mine Dachshund Howie,, has a particular habit of howling whenever i play Bach,,, it's sort of funny (to me at least) i have thought of making a video of he and i in duet,,, anyhow well played friend
Love the "da-da-da-dum-boom-boom" vocal touches.
Comments made by vaisvil
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!