the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
I keep thinking Wendy Carlos is an influence here till about 4 min and it becomes more modern. Noise filtering @6 min or what you are doing with the oscillator. Good work and interesting foray that is cool and nostalgia like.
synthesizers and effects
“It is a peculiar colony” says István Maák, a zoologist at the Polish Academy of Sciences in Warsaw. “They are doing the best they can, surrounded by dying.” In 2019, Maák took it upon himself to do something about…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
nice---
Powerful and good groove, out of the dark much light!
I like this
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
yeah the end tabla is sweet .. just perfect mix into this type of ending.. what is up with the light cone or time bending swirles ??
great beats and sounds.. great guitars going on- great -
That was a mystic ride
Quite a sonic journey!
I thought I commented on this yesterday? Apologies, I listened and thought WOW! ... I can confirm it has the same effect on me today.
Thoroughly enjoyed this.
Oh yes, I likes this
Liking that groove
Great Sabbath like groove on this!
good sounds. -- faux imitation and almost imaginary type comment here.-- but still it is great music-- like it is.
I keep thinking Wendy Carlos is an influence here till about 4 min and it becomes more modern. Noise filtering @6 min or what you are doing with the oscillator. Good work and interesting foray that is cool and nostalgia like.
WIth some more instrumentation, this could be a very good dungeon synth track.
The opening granular sound is awesome descriptive and retro of the lost in space/star trek time.
Tranquil but ominous..
this sounds huge. I love the tone
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!