My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
really like this one, congrats on this piece being selected !
By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Gorgeous!
Congrats, nice piece. Had me fooled on first listen, nice faux guitar tone!
I agree...wonderful music......simply wonderful
Wonderfully pretty with a hint of the Japanese garden with in it's splendid display.
Wow, that's different! Most enjoyable!
Sort of mystical! With a lovely relaxing feel.
Hey, looking cool there dude! Sounding good all round too! Rhythmically creepy!
beautiful
really like this one, congrats on this piece being selected ! By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
sounds beautiful.
interesting,, not sure how it makes me feel,, i would like to hear a little more about your thinking for this,, take care R
Totally wild and very cool!
very nice,, this all flows together very well,,,
very cool
That was a cool and different stigma....took me somewhere.
Sweet marimba!
uplifting!!!!!
Very pretty w;-)
Wonderful rendition! Very well done!
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.