improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
I think you have aptly named this track.
Tremendous atmosphere here. Love the spell casting
in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
ok this is the center portion of the the tape transfer and remix so if you like the intro and end so on this just gets more intense that it is centered and focused some.
to create your own new work play the video and music together .. each time…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
This was a collab i heard today on Songcrafters and was wondering wether to ask to have a go at it vocally when Tharek sent me message asking me to have a go so Thanks Tharek and Dave, i am more than pleased to give it a go. i loved this music…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
I Ate My Xanadu
ADDENDUM TO THE INCIDENT REPORT
It’s burning.
Nothing else matters.
Nothing.
It’s burning and I love it.
It’s so clear
what is illusion and what is real.
I love the clarity.
I could drink it.
I could eat it.
I could…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Reg has got a kinda Bluesy political thing going on this one.....he's been reading the paper and watching the news..........it's a little too long but i think he makes a point.......do you?
Two ambient guitar tracks recorded independently and stick together. I broke my rule of not using distortion on a BL piece, for the first time, believe it or no.
I'm not on top of it as usual, guys. But I did manage to let Greg Brady out of my basement and set him free. This is his testimonial regarding the incident. I hope he can forgive me.
Once upon a rainy day, we were out in the farm fields waiting on the sun to break through the gloom. We arrived in this dark world naked and were washed clean waiting for the sun. Little darling, here it comes...
This is the first demo [Sister Savage](http://alonetone.com/sistersavage) and I have made for our RPM 2011 album.
Although I've uploaded a copy here we'd be really grateful if you would listen to the [version uploaded by Sister](http://alonetone…
Comments on vaisvil's stuff
This is stunning...agree with the guys - beautiful.
like the way this sweeps .. perfect darkness. electronic evils
It's great to hear some home made instrument action. I have several percussion instruments that I have made...
Sweet!
Kinda disturbing!! Sounds like slowly uncoiling madness, as the onlookers back away.
Some very mischievous riffs in here!
Great stuff!
I still love it...
I always think long held notes are very effective in an atmospheric sort of way. This is a very lovely piece.
Excellent production. Lots going on here... going in for another listen.
Out of chaos comes order .......great sounds.
Groovy. Starts off like an old delta blues!
I agree with Norm BEautiful....
This is beautiful, Chris.
Ah, all the right questions! Hypnotic music and plaintive vocals.
Lovely jam you had there with yourself!
Sort of sitting on the porch, watching the sun going down and appreciating life type music.
I think you have aptly named this track. Tremendous atmosphere here. Love the spell casting in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Oh that's lovely!
This is a really great song.
Comments made by vaisvil
ompt manual http://forum.openmpt.org/index.php?topic=4387.0 and the software http://openmpt.org/download
OMPT = Open Mod Plug Tracker - a program that turns your computer into a sampler.
awesome!!! hell can't be so bad if its so funky ;-)
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
that genesis piece is beyond my skill to play - but it took a bit of work to get it to be nice with my software.
I am amazed at how you constantly pull new textures from your equipment. Very cool - parts sound like a futuristic police chase.
I see you've taken up body levitation as evidenced by your avatar picture. :-)
your new avatar is freaky!
very cool sound - I like this piece quite a bit!
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
funky indeed!!
cool reg!
yes I do. Nice piece!
this sounds fantastic!
I know you've seen this somewhere before - but it bares repeating. This is a really nice piece - excellent improvisation!!!
this is so *strange*
I expected Beatles - boy was I surprised!! This is a wonderful bright, bubbly pop song - almost Beach Boys - but really good and modern!
nicely done - I enjoyed listening and especially the climax at 3' as pointed out.
very nice!
like I need to be encouraged!