This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This was well done. I really enjoyed it towards the end as it built up and became prettier.
What about that picture then. Where are we, somewhere like Venezuela?
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
What a creepy bastard JD was. Good thing they got rid of him in jail. Goes to show you, looks are deceiving. Sad to think humans used to eat one another all the time. Nature can be such an ugly b!tch. A documentary on him said he ate people because he wanted to keep them close, so they would never leave.
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Adventurous and epic!
Laid back, twinkly playing.
Intriguing and intricate sounds! Gorgeous!
Nice! Love that sound. Planning on adding a nylon string to my arsenal soon
This was well done. I really enjoyed it towards the end as it built up and became prettier. What about that picture then. Where are we, somewhere like Venezuela?
Love the picture! You know I'm not technical, but I really enjoyed the right ear on the head set. This is a lovely piece.
I do have to say that your composition is ideal for the subject matter. That was great!
Why are all the pretty ones insane? This is unnerving and scary. Thanks!! :)
Amazing!
Woah, awesome percussion - this has some guts! Epic underpinnings! Clever vocals interweaven into a powerful soundscape! A masterpiece!
Lovely!
some really nice guitar phrasing in this.
ahhhh so so nice ., very well done. we need to collaborate on something at some point with soft guitar work like this looped through the piece :)
interesting tones,,great use of GPO, very nice sound quality,,
What a creepy bastard JD was. Good thing they got rid of him in jail. Goes to show you, looks are deceiving. Sad to think humans used to eat one another all the time. Nature can be such an ugly b!tch. A documentary on him said he ate people because he wanted to keep them close, so they would never leave.
Such a harmless looking beast....
Terrific! I like the bits that start at 1:30 or so. Cymbals are perfect.
goodness this is pretty, gravity is everywhere. so I have found ...
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
Love the Eastern flavours you're cooking with more and more these days - great stuff from El Norm also.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!