From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Another routine Vaisvil piece. Oh, and by routine I mean:
Hang drums.
Ebow.
17 note octaves.
Fretless bass.
Outrageous prose that is difficult to logically follow.
Exploding fish.
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
RPM 2011 number 2. Inspired by an ex-friend of mine who had the most dazzling rose tinted glasses. Always used to envy the simplicity of his view and how nothing could ever get to him (everything gets to me).. since i knew him I know a lot of…
Outland (The Ballad of Jarrod X)
words and music by VIVIAN CIRCLE
Mother, why did you lie to me?
I didn't have to make the same mistakes as you.
Father, why did you run away?
There was so many things left unspoken with you.
Jarrod walks…
Chris sent me this great tune playing his 17 ET guitar and fretless bass, and for some reason i thought Mafia instantly. Sammy the Bull was the under-boss to John Gotti back in the 80's and 90's and he turned informer to bring John Gotti down…
Improvisation using segments of the vocal track from Chris Vaisvil's piece Sweeney's Agony and sample fodder, played via midi keyboard, with live computer processing.
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
Comments on vaisvil's stuff
these low notes are very powerful, when they match the gong that is just,, wait did you put the gong thru effects as well?
Excellent work and as Norm says great story
interesting sounds!!
What a story!
fairdoos thats some fully mental shit. as such, loving it. :)
Another routine Vaisvil piece. Oh, and by routine I mean: Hang drums. Ebow. 17 note octaves. Fretless bass. Outrageous prose that is difficult to logically follow. Exploding fish.
F$%K it this is excellent
nice coming back to this...such a mind blowing goody man!
Wow.
indeed.....vibrant and smooth,, the sax is interesting and a bit coy... forget like,, I love it
A blast from the past. Still sounds great, Chris.
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
Comments made by vaisvil
some Janis Joplin or Joe Cocker vocals would really finish this one off!
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
I love The Lamb - this is great!
love the slide!
great campfire tune!
what is that opening lead instrument? it is so strong! I love your vocals.
it is such a sad sounding piece.
nice easy listening piece - very rich!
who cannot love a track with a name like this? Awesome mind-messing tremolo.
damn you sound like Joe Cocker now! This is great all the way around. - Been behind - I had not heard the original - or I don't remember it
I use pianoteq mostly. Your piece is very beautiful.
indeed - you brought this baby to life!! Bravo Reg!
you two are Mr Funk!!
excellent work!
thank you for "playing" me :-)
This rocks!!
nicely minimal!
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!