This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Calculated Electron Orbitals
I have been exploring Sonar X1 and one of the ideas on my list was to apply the apreggiator to a piece of music that was classical and used the harmonic series – just sounded like a good idea. Well, here is the…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Calculated Electron Orbitals
I have been exploring Sonar X1 and one of the ideas on my list was to apply the apreggiator to a piece of music that was classical and used the harmonic series – just sounded like a good idea. Well, here is the…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
Reg was sat below the cliff having a sneaky smoke and he couldn't believe what he was witnessing ......I recorded the acoustic with the mic then added bass then a bit of piano and string then the tele then I decided what the subject would be and…
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
Inspiration was seeing Kavin Allenson's pictures from his jam in the Fort Worth sculpture Vortex. I wasn't going to do in Pure Data but I opened PD to setup a base structure of oscillators to use to tune one of my modules. I got a stuck note…
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
from the album "FULL MINGO"
vocals Ash Reynolds
mastering Dave Storms
pain in my heart
it's probably nothing
song in my head
it's time to say something
living this life
it's got to be all
the time
chasing the dream
and i'm always…
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Billy wanted a project for the 2023 Christmas holidays and asked some of his extremely talented musician friends to play on this track.
Matt Smith: Guitars & backing vocals
Paul Matthews: Pianos & organ
Naomi Daulby: Lead & backing…
Punny title to hint at the sound origin; the sounds left on a reel of tape (or in this case, two different ones) after it has undergone a bulk-erase procedure - placing it on a device that creates a strong electromagnetic field that scrambles…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
Comments on vaisvil's stuff
Very colourful, vibrant, and hopeful.
Beautiful.
Ooh, potent, sounds like confusion, paranoia, searching for a warm safe place.
It slinks and it beats.
Nice tune!
This is excellent,dreamy, serious,poignant to now. The eye is everywhere a masterpiece the video fits like a glove.
just love this
Nice funky fretless jam...cool travel..
Great fretless bass sound!
OOOOh yeah!! into this
Oh yeah, cool, really cool.
very fun,, ive gotta say i enjoy much of you music
Like Norm i don't understand it but i like it
This is awesome! The bass and the sax are kickin ass!
Brilliant ideas and a very enjoyable saxophone
Sweet!
Gorgeous one !
Excellent stuff loving it jazzy makes me feel like getting pen to paper
Friday eve and the going is good,,,,a well told story....great listen! and the photo is cool toooooo.......
a very enjoyable listen indeed...
Comments made by vaisvil
cool work Kavin! - I like the feedback especially!
This is great!
Nice one!
One of your best compositions. It’s a strangely compelling story with the protagonist worthy of a Darwin Award.
Quite like this! - has such a nice sense of space and clear timbre definition.
I really liked this - the female voice really hit home - nice jam! Is she the passerby?
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
lofi and exotic - what not to like?
Another great piece!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
nice work Kavin!
This is a really nice composition!
sweet ambiance
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Definitely true to the original - very excellent work!
You always come up with inventive ways to generate sound and I admire that - this is quite cool as it sounds underwater to me.
another brilliant DH-100 application!
such a foreboding piece - were you thinking about it being an election year here in the states?
Nice pocket between ambient, EDM and experimental electronic!
I enjoyed your performance very much!