I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Calculated Electron Orbitals
I have been exploring Sonar X1 and one of the ideas on my list was to apply the apreggiator to a piece of music that was classical and used the harmonic series – just sounded like a good idea. Well, here is the…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
mmmmm tastes like nirvana ;)....
The mix is tight and sweet as well...
Gotta love the Guitar center used section....the only trouble is i have to travel about 145 miles to get to one...
The more I listen to this the more profound it becomes.
Has a kinda nirvana feel to the vocal, like that bass.
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
Always loved this track.
Love this song... Looking forward to hearing it develop.
Pleasing and peaceful.
Very colourful, vibrant, and hopeful.
Beautiful.
Ooh, potent, sounds like confusion, paranoia, searching for a warm safe place.
It slinks and it beats.
Nice tune!
This is excellent,dreamy, serious,poignant to now. The eye is everywhere a masterpiece the video fits like a glove.
just love this
Nice funky fretless jam...cool travel..
Great fretless bass sound!
OOOOh yeah!! into this
Oh yeah, cool, really cool.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.