Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Progtastic!
Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies.
Great musicianship, awesome writing!
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
What a gem.
Progtastic! Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies. Great musicianship, awesome writing!
bad sound but cool music!
Beautiful!!
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
Powerful stuff indeed.
Very intense, love the hits at 4:10ish....
Uber dramatic! Thrilling, even!
Swings like a pendulum - love that sax break!
~good piano tune with blue temperament in mind~
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
Beautiful mate very well played. Very moving piece.
Wow! just pure goodness!
Wow
This is just great, really enjoyed it
What a beautiful piece...!
Classy!
Comments made by vaisvil
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!